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    <title>pkdick &amp;mdash; SFSS</title>
    <link>https://sfss.space/tag:pkdick</link>
    <description>Science fiction short stories</description>
    <pubDate>Sat, 02 May 2026 06:55:24 +0000</pubDate>
    <image>
      <url>https://i.snap.as/p9Kx0A10.jpg</url>
      <title>pkdick &amp;mdash; SFSS</title>
      <link>https://sfss.space/tag:pkdick</link>
    </image>
    <item>
      <title>The Hanging Stranger (1953) - Philip K. Dick </title>
      <link>https://sfss.space/the-hanging-stranger-1953-philip-k?pk_campaign=rss-feed</link>
      <description>&lt;![CDATA[A hanging man&#39;s body is regarded by three crows&#xA;&#xA;  Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw it hanging in the town square.&#xA;&#xA;!--more-- &#xA;&#xA;Five o&#39;clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders ached from digging dirt out of the basement and wheeling it into the back yard. But for a forty-year-old man he had done okay. Janet could get a new vase with the money he had saved; and he liked the idea of repairing the foundations himself!&#xA;&#xA;It was getting dark. The setting sun cast long rays over the scurrying commuters, tired and grim-faced, women loaded down with bundles and packages, students swarming home from the university, mixing with clerks and businessmen and drab secretaries. He stopped his Packard for a red light and then started it up again. The store had been open without him; he&#39;d arrive just in time to spell the help for dinner, go over the records of the day, maybe even close a couple of sales himself. He drove slowly past the small square of green in the center of the street, the town park. There were no parking places in front of LOYCE TV SALES AND SERVICE. He cursed under his breath and swung the car in a U-turn. Again he passed the little square of green with its lonely drinking fountain and bench and single lamppost.&#xA;&#xA;From the lamppost something was hanging. A shapeless dark bundle, swinging a little with the wind. Like a dummy of some sort. Loyce rolled down his window and peered out. What the hell was it? A display of some kind? Sometimes the Chamber of Commerce put up displays in the square.&#xA;&#xA;Again he made a U-turn and brought his car around. He passed the park and concentrated on the dark bundle. It wasn&#39;t a dummy. And if it was a display it was a strange kind. The hackles on his neck rose and he swallowed uneasily. Sweat slid out on his face and hands.&#xA;&#xA;It was a body. A human body.&#xA;&#xA;----&#xA;&#xA;&#34;Look at it!&#34; Loyce snapped. &#34;Come on out here!&#34;&#xA;&#xA;Don Fergusson came slowly out of the store, buttoning his pin-stripe coat with dignity. &#34;This is a big deal, Ed. I can&#39;t just leave the guy standing there.&#34;&#xA;&#xA;&#34;See it?&#34; Ed pointed into the gathering gloom. The lamppost jutted up against the sky—the post and the bundle swinging from it. &#34;There it is. How the hell long has it been there?&#34; His voice rose excitedly. &#34;What&#39;s wrong with everybody? They just walk on past!&#34;&#xA;&#xA;Don Fergusson lit a cigarette slowly. &#34;Take it easy, old man. There must be a good reason, or it wouldn&#39;t be there.&#34;&#xA;&#xA;&#34;A reason! What kind of a reason?&#34;&#xA;&#xA;Fergusson shrugged. &#34;Like the time the Traffic Safety Council put that wrecked Buick there. Some sort of civic thing. How would I know?&#34;&#xA;&#xA;Jack Potter from the shoe shop joined them. &#34;What&#39;s up, boys?&#34;&#xA;&#xA;&#34;There&#39;s a body hanging from the lamppost,&#34; Loyce said. &#34;I&#39;m going to call the cops.&#34;&#xA;&#xA;&#34;They must know about it,&#34; Potter said. &#34;Or otherwise it wouldn&#39;t be there.&#34;&#xA;&#xA;&#34;I got to get back in.&#34; Fergusson headed back into the store. &#34;Business before pleasure.&#34;&#xA;&#xA;Loyce began to get hysterical. &#34;You see it? You see it hanging there? A man&#39;s body! A dead man!&#34;&#xA;&#xA;&#34;Sure, Ed. I saw it this afternoon when I went out for coffee.&#34;&#xA;&#xA;&#34;You mean it&#39;s been there all afternoon?&#34;&#xA;&#xA;&#34;Sure. What&#39;s the matter?&#34; Potter glanced at his watch. &#34;Have to run. See you later, Ed.&#34;&#xA;&#xA;Potter hurried off, joining the flow of people moving along the sidewalk. Men and women, passing by the park. A few glanced up curiously at the dark bundle—and then went on. Nobody stopped. Nobody paid any attention.&#xA;&#xA;&#34;I&#39;m going nuts,&#34; Loyce whispered. He made his way to the curb and crossed out into traffic, among the cars. Horns honked angrily at him. He gained the curb and stepped up onto the little square of green.&#xA;&#xA;The man had been middle-aged. His clothing was ripped and torn, a gray suit, splashed and caked with dried mud. A stranger. Loyce had never seen him before. Not a local man. His face was partly turned, away, and in the evening wind he spun a little, turning gently, silently. His skin was gouged and cut. Red gashes, deep scratches of congealed blood. A pair of steel-rimmed glasses hung from one ear, dangling foolishly. His eyes bulged. His mouth was open, tongue thick and ugly blue.&#xA;&#xA;&#34;For Heaven&#39;s sake,&#34; Loyce muttered, sickened. He pushed down his nausea and made his way back to the sidewalk. He was shaking all over, with revulsion—and fear.&#xA;&#xA;Why? Who was the man? Why was he hanging there? What did it mean?&#xA;&#xA;And—why didn&#39;t anybody notice?&#xA;&#xA;He bumped into a small man hurrying along the sidewalk. &#34;Watch it!&#34; the man grated, &#34;Oh, it&#39;s you, Ed.&#34;&#xA;&#xA;Ed nodded dazedly. &#34;Hello, Jenkins.&#34;&#xA;&#xA;&#34;What&#39;s the matter?&#34; The stationery clerk caught Ed&#39;s arm. &#34;You look sick.&#34;&#xA;&#xA;&#34;The body. There in the park.&#34;&#xA;&#xA;&#34;Sure, Ed.&#34; Jenkins led him into the alcove of LOYCE TV SALES AND SERVICE. &#34;Take it easy.&#34;&#xA;&#xA;Margaret Henderson from the jewelry store joined them. &#34;Something wrong?&#34;&#xA;&#xA;&#34;Ed&#39;s not feeling well.&#34;&#xA;&#xA;Loyce yanked himself free. &#34;How can you stand here? Don&#39;t you see it? For God&#39;s sake—&#34;&#xA;&#xA;&#34;What&#39;s he talking about?&#34; Margaret asked nervously.&#xA;&#xA;&#34;The body!&#34; Ed shouted. &#34;The body hanging there!&#34;&#xA;&#xA;More people collected. &#34;Is he sick? It&#39;s Ed Loyce. You okay, Ed?&#34;&#xA;&#xA;&#34;The body!&#34; Loyce screamed, struggling to get past them. Hands caught at him. He tore loose. &#34;Let me go! The police! Get the police!&#34;&#xA;&#xA;&#34;Ed—&#34;&#xA;&#xA;&#34;Better get a doctor!&#34;&#xA;&#xA;&#34;He must be sick.&#34;&#xA;&#xA;&#34;Or drunk.&#34;&#xA;&#xA;Loyce fought his way through the people. He stumbled and half fell. Through a blur he saw rows of faces, curious, concerned, anxious. Men and women halting to see what the disturbance was. He fought past them toward his store. He could see Fergusson inside talking to a man, showing him an Emerson TV set. Pete Foley in the back at the service counter, setting up a new Philco. Loyce shouted at them frantically. His voice was lost in the roar of traffic and the murmur around him.&#xA;&#xA;&#34;Do something!&#34; he screamed. &#34;Don&#39;t stand there! Do something! Something&#39;s wrong! Something&#39;s happened! Things are going on!&#34;&#xA;&#xA;The crowd melted respectfully for the two heavy-set cops moving efficiently toward Loyce.&#xA;&#xA;----&#xA;&#xA;&#34;Name?&#34; the cop with the notebook murmured.&#xA;&#xA;&#34;Loyce.&#34; He mopped his forehead wearily. &#34;Edward C. Loyce. Listen to me. Back there—&#34;&#xA;&#xA;&#34;Address?&#34; the cop demanded. The police car moved swiftly through traffic, shooting among the cars and buses. Loyce sagged against the seat, exhausted and confused. He took a deep shuddering breath.&#xA;&#xA;&#34;1368 Hurst Road.&#34;&#xA;&#xA;&#34;That&#39;s here in Pikeville?&#34;&#xA;&#xA;&#34;That&#39;s right.&#34; Loyce pulled himself up with a violent effort. &#34;Listen to me. Back there. In the square. Hanging from the lamppost—&#34;&#xA;&#xA;&#34;Where were you today?&#34; the cop behind the wheel demanded.&#xA;&#xA;&#34;Where?&#34; Loyce echoed.&#xA;&#xA;&#34;You weren&#39;t in your shop, were you?&#34;&#xA;&#xA;&#34;No.&#34; He shook his head. &#34;No, I was home. Down in the basement.&#34;&#xA;&#xA;&#34;In the basement?&#34;&#xA;&#xA;&#34;Digging. A new foundation. Getting out the dirt to pour a cement frame. Why? What has that to do with—&#34;&#xA;&#xA;&#34;Was anybody else down there with you?&#34;&#xA;&#xA;&#34;No. My wife was downtown. My kids were at school.&#34; Loyce looked from one heavy-set cop to the other. Hope flicked across his face, wild hope. &#34;You mean because I was down there I missed—the explanation? I didn&#39;t get in on it? Like everybody else?&#34;&#xA;&#xA;After a pause the cop with the notebook said: &#34;That&#39;s right. You missed the explanation.&#34;&#xA;&#xA;&#34;Then it&#39;s official? The body—it&#39;s supposed to be hanging there?&#34;&#xA;&#xA;&#34;It&#39;s supposed to be hanging there. For everybody to see.&#34;&#xA;&#xA;Ed Loyce grinned weakly. &#34;Good Lord. I guess I sort of went off the deep end. I thought maybe something had happened. You know, something like the Ku Klux Klan. Some kind of violence. Communists or Fascists taking over.&#34; He wiped his face with his breast-pocket handkerchief, his hands shaking. &#34;I&#39;m glad to know it&#39;s on the level.&#34;&#xA;&#xA;&#34;It&#39;s on the level.&#34; The police car was getting near the Hall of Justice. The sun had set. The streets were gloomy and dark. The lights had not yet come on.&#xA;&#xA;&#34;I feel better,&#34; Loyce said. &#34;I was pretty excited there, for a minute. I guess I got all stirred up. Now that I understand, there&#39;s no need to take me in, is there?&#34;&#xA;&#xA;The two cops said nothing.&#xA;&#xA;&#34;I should be back at my store. The boys haven&#39;t had dinner. I&#39;m all right, now. No more trouble. Is there any need of—&#34;&#xA;&#xA;&#34;This won&#39;t take long,&#34; the cop behind the wheel interrupted. &#34;A short process. Only a few minutes.&#34;&#xA;&#xA;&#34;I hope it&#39;s short,&#34; Loyce muttered. The car slowed down for a stoplight. &#34;I guess I sort of disturbed the peace. Funny, getting excited like that and—&#34;&#xA;&#xA;Loyce yanked the door open. He sprawled out into the street and rolled to his feet. Cars were moving all around him, gaining speed as the light changed. Loyce leaped onto the curb and raced among the people, burrowing into the swarming crowds. Behind him he heard sounds, shouts, people running.&#xA;&#xA;They weren&#39;t cops. He had realized that right away. He knew every cop in Pikeville. A man couldn&#39;t own a store, operate a business in a small town for twenty-five years without getting to know all the cops.&#xA;&#xA;They weren&#39;t cops—and there hadn&#39;t been any explanation. Potter, Fergusson, Jenkins, none of them knew why it was there. They didn&#39;t know—and they didn&#39;t care. That was the strange part.&#xA;&#xA;Loyce ducked into a hardware store. He raced toward the back, past the startled clerks and customers, into the shipping room and through the back door. He tripped over a garbage can and ran up a flight of concrete steps. He climbed over a fence and jumped down on the other side, gasping and panting.&#xA;&#xA;There was no sound behind him. He had got away.&#xA;&#xA;He was at the entrance of an alley, dark and strewn with boards and ruined boxes and tires. He could see the street at the far end. A street light wavered and came on. Men and women. Stores. Neon signs. Cars.&#xA;&#xA;And to his right—the police station.&#xA;&#xA;He was close, terribly close. Past the loading platform of a grocery store rose the white concrete side of the Hall of Justice. Barred windows. The police antenna. A great concrete wall rising up in the darkness. A bad place for him to be near. He was too close. He had to keep moving, get farther away from them.&#xA;&#xA;Them?&#xA;&#xA;Loyce moved cautiously down the alley. Beyond the police station was the City Hall, the old-fashioned yellow structure of wood and gilded brass and broad cement steps. He could see the endless rows of offices, dark windows, the cedars and beds of flowers on each side of the entrance.&#xA;&#xA;And—something else.&#xA;&#xA;Above the City Hall was a patch of darkness, a cone of gloom denser than the surrounding night. A prism of black that spread out and was lost into the sky.&#xA;&#xA;He listened. Good God, he could hear something. Something that made him struggle frantically to close his ears, his mind, to shut out the sound. A buzzing. A distant, muted hum like a great swarm of bees.&#xA;&#xA;Loyce gazed up, rigid with horror. The splotch of darkness, hanging over the City Hall. Darkness so thick it seemed almost solid. In the vortex something moved. Flickering shapes. Things, descending from the sky, pausing momentarily above the City Hall, fluttering over it in a dense swarm and then dropping silently onto the roof.&#xA;&#xA;Shapes. Fluttering shapes from the sky. From the crack of darkness that hung above him.&#xA;&#xA;He was seeing—them.&#xA;&#xA;----&#xA;&#xA;For a long time Loyce watched, crouched behind a sagging fence in a pool of scummy water.&#xA;&#xA;They were landing. Coming down in groups, landing on the roof of the City Hall and disappearing inside. They had wings. Like giant insects of some kind. They flew and fluttered and came to rest—and then crawled crab-fashion, sideways, across the roof and into the building.&#xA;&#xA;He was sickened. And fascinated. Cold night wind blew around him and he shuddered. He was tired, dazed with shock. On the front steps of the City Hall were men, standing here and there. Groups of men coming out of the building and halting for a moment before going on.&#xA;&#xA;Were there more of them?&#xA;&#xA;It didn&#39;t seem possible. What he saw descending from the black chasm weren&#39;t men. They were alien—from some other world, some other dimension. Sliding through this slit, this break in the shell of the universe. Entering through this gap, winged insects from another realm of being.&#xA;&#xA;On the steps of the City Hall a group of men broke up. A few moved toward a waiting car. One of the remaining shapes started to re-enter the City Hall. It changed its mind and turned to follow the others.&#xA;&#xA;Loyce closed his eyes in horror. His senses reeled. He hung on tight, clutching at the sagging fence. The shape, the man-shape, had abruptly fluttered up and flapped after the others. It flew to the sidewalk and came to rest among them.&#xA;&#xA;Pseudo-men. Imitation men. Insects with ability to disguise themselves as men. Like other insects familiar to Earth. Protective coloration. Mimicry.&#xA;&#xA;Loyce pulled himself away. He got slowly to his feet. It was night. The alley was totally dark. But maybe they could see in the dark. Maybe darkness made no difference to them.&#xA;&#xA;He left the alley cautiously and moved out onto the street. Men and women flowed past, but not so many, now. At the bus-stops stood waiting groups. A huge bus lumbered along the street, its lights flashing in the evening gloom.&#xA;&#xA;Loyce moved forward. He pushed his way among those waiting and when the bus halted he boarded it and took a seat in the rear, by the door. A moment later the bus moved into life and rumbled down the street.&#xA;&#xA;----&#xA;&#xA;Loyce relaxed a little. He studied the people around him. Dulled, tired faces. People going home from work. Quite ordinary faces. None of them paid any attention to him. All sat quietly, sunk down in their seats, jiggling with the motion of the bus.&#xA;&#xA;The man sitting next to him unfolded a newspaper. He began to read the sports section, his lips moving. An ordinary man. Blue suit. Tie. A businessman, or a salesman. On his way home to his wife and family.&#xA;&#xA;Across the aisle a young woman, perhaps twenty. Dark eyes and hair, a package on her lap. Nylons and heels. Red coat and white angora sweater. Gazing absently ahead of her.&#xA;&#xA;A high school boy in jeans and black jacket.&#xA;&#xA;A great triple-chinned woman with an immense shopping bag loaded with packages and parcels. Her thick face dim with weariness.&#xA;&#xA;Ordinary people. The kind that rode the bus every evening. Going home to their families. To dinner.&#xA;&#xA;Going home—with their minds dead. Controlled, filmed over with the mask of an alien being that had appeared and taken possession of them, their town, their lives. Himself, too. Except that he happened to be deep in his cellar instead of in the store. Somehow, he had been overlooked. They had missed him. Their control wasn&#39;t perfect, foolproof.&#xA;&#xA;Maybe there were others.&#xA;&#xA;Hope flickered in Loyce. They weren&#39;t omnipotent. They had made a mistake, not got control of him. Their net, their field of control, had passed over him. He had emerged from his cellar as he had gone down. Apparently their power-zone was limited.&#xA;&#xA;A few seats down the aisle a man was watching him. Loyce broke off his chain of thought. A slender man, with dark hair and a small mustache. Well-dressed, brown suit and shiny shoes. A book between his small hands. He was watching Loyce, studying him intently. He turned quickly away.&#xA;&#xA;Loyce tensed. One of them? Or—another they had missed?&#xA;&#xA;The man was watching him again. Small dark eyes, alive and clever. Shrewd. A man too shrewd for them—or one of the things itself, an alien insect from beyond.&#xA;&#xA;The bus halted. An elderly man got on slowly and dropped his token into the box. He moved down the aisle and took a seat opposite Loyce.&#xA;&#xA;The elderly man caught the sharp-eyed man&#39;s gaze. For a split second something passed between them.&#xA;&#xA;A look rich with meaning.&#xA;&#xA;Loyce got to his feet. The bus was moving. He ran to the door. One step down into the well. He yanked the emergency door release. The rubber door swung open.&#xA;&#xA;&#34;Hey!&#34; the driver shouted, jamming on the brakes. &#34;What the hell—&#34;&#xA;&#xA;Loyce squirmed through. The bus was slowing down. Houses on all sides. A residential district, lawns and tall apartment buildings. Behind him, the bright-eyed man had leaped up. The elderly man was also on his feet. They were coming after him.&#xA;&#xA;Loyce leaped. He hit the pavement with terrific force and rolled against the curb. Pain lapped over him. Pain and a vast tide of blackness. Desperately, he fought it off. He struggled to his knees and then slid down again. The bus had stopped. People were getting off.&#xA;&#xA;Loyce groped around. His fingers closed over something. A rock, lying in the gutter. He crawled to his feet, grunting with pain. A shape loomed before him. A man, the bright-eyed man with the book.&#xA;&#xA;Loyce kicked. The man gasped and fell. Loyce brought the rock down. The man screamed and tried to roll away. &#34;Stop! For God&#39;s sake listen—&#34;&#xA;&#xA;He struck again. A hideous crunching sound. The man&#39;s voice cut off and dissolved in a bubbling wail. Loyce scrambled up and back. The others were there, now. All around him. He ran, awkwardly, down the sidewalk, up a driveway. None of them followed him. They had stopped and were bending over the inert body of the man with the book, the bright-eyed man who had come after him.&#xA;&#xA;Had he made a mistake?&#xA;&#xA;But it was too late to worry about that. He had to get out—away from them. Out of Pikeville, beyond the crack of darkness, the rent between their world and his.&#xA;&#xA;----&#xA;&#xA;&#34;Ed!&#34; Janet Loyce backed away nervously. &#34;What is it? What—&#34;&#xA;&#xA;Ed Loyce slammed the door behind him and came into the living room. &#34;Pull down the shades. Quick.&#34;&#xA;&#xA;Janet moved toward the window. &#34;But—&#34;&#xA;&#xA;&#34;Do as I say. Who else is here besides you?&#34;&#xA;&#xA;&#34;Nobody. Just the twins. They&#39;re upstairs in their room. What&#39;s happened? You look so strange. Why are you home?&#34;&#xA;&#xA;Ed locked the front door. He prowled around the house, into the kitchen. From the drawer under the sink he slid out the big butcher knife and ran his finger along it. Sharp. Plenty sharp. He returned to the living room.&#xA;&#xA;&#34;Listen to me,&#34; he said. &#34;I don&#39;t have much time. They know I escaped and they&#39;ll be looking for me.&#34;&#xA;&#xA;&#34;Escaped?&#34; Janet&#39;s face twisted with bewilderment and fear. &#34;Who?&#34;&#xA;&#xA;&#34;The town has been taken over. They&#39;re in control. I&#39;ve got it pretty well figured out. They started at the top, at the City Hall and police department. What they did with the real humans they—&#34;&#xA;&#xA;&#34;What are you talking about?&#34;&#xA;&#xA;&#34;We&#39;ve been invaded. From some other universe, some other dimension. They&#39;re insects. Mimicry. And more. Power to control minds. Your mind.&#34;&#xA;&#xA;&#34;My mind?&#34;&#xA;&#xA;&#34;Their entrance is here, in Pikeville. They&#39;ve taken over all of you. The whole town—except me. We&#39;re up against an incredibly powerful enemy, but they have their limitations. That&#39;s our hope. They&#39;re limited! They can make mistakes!&#34;&#xA;&#xA;Janet shook her head. &#34;I don&#39;t understand, Ed. You must be insane.&#34;&#xA;&#xA;&#34;Insane? No. Just lucky. If I hadn&#39;t been down in the basement I&#39;d be like all the rest of you.&#34; Loyce peered out the window. &#34;But I can&#39;t stand here talking. Get your coat.&#34;&#xA;&#xA;&#34;My coat?&#34;&#xA;&#xA;&#34;We&#39;re getting out of here. Out of Pikeville. We&#39;ve got to get help. Fight this thing. They can be beaten. They&#39;re not infallible. It&#39;s going to be close—but we may make it if we hurry. Come on!&#34; He grabbed her arm roughly. &#34;Get your coat and call the twins. We&#39;re all leaving. Don&#39;t stop to pack. There&#39;s no time for that.&#34;&#xA;&#xA;White-faced, his wife moved toward the closet and got down her coat. &#34;Where are we going?&#34;&#xA;&#xA;Ed pulled open the desk drawer and spilled the contents out onto the floor. He grabbed up a road map and spread it open. &#34;They&#39;ll have the highway covered, of course. But there&#39;s a back road. To Oak Grove. I got onto it once. It&#39;s practically abandoned. Maybe they&#39;ll forget about it.&#34;&#xA;&#xA;&#34;The old Ranch Road? Good Lord—it&#39;s completely closed. Nobody&#39;s supposed to drive over it.&#34;&#xA;&#xA;&#34;I know.&#34; Ed thrust the map grimly into his coat. &#34;That&#39;s our best chance. Now call down the twins and let&#39;s get going. Your car is full of gas, isn&#39;t it?&#34;&#xA;&#xA;Janet was dazed.&#xA;&#xA;&#34;The Chevy? I had it filled up yesterday afternoon.&#34; Janet moved toward the stairs. &#34;Ed, I—&#34;&#xA;&#xA;&#34;Call the twins!&#34; Ed unlocked the front door and peered out. Nothing stirred. No sign of life. All right so far.&#xA;&#xA;&#34;Come on downstairs,&#34; Janet called in a wavering voice. &#34;We&#39;re—going out for awhile.&#34;&#xA;&#xA;&#34;Now?&#34; Tommy&#39;s voice came.&#xA;&#xA;&#34;Hurry up,&#34; Ed barked. &#34;Get down here, both of you.&#34;&#xA;&#xA;Tommy appeared at the top of the stairs. &#34;I was doing my home work. We&#39;re starting fractions. Miss Parker says if we don&#39;t get this done—&#34;&#xA;&#xA;&#34;You can forget about fractions.&#34; Ed grabbed his son as he came down the stairs and propelled him toward the door. &#34;Where&#39;s Jim?&#34;&#xA;&#xA;&#34;He&#39;s coming.&#34;&#xA;&#xA;Jim started slowly down the stairs. &#34;What&#39;s up, Dad?&#34;&#xA;&#xA;&#34;We&#39;re going for a ride.&#34;&#xA;&#xA;&#34;A ride? Where?&#34;&#xA;&#xA;Ed turned to Janet. &#34;We&#39;ll leave the lights on. And the TV set. Go turn it on.&#34; He pushed her toward the set. &#34;So they&#39;ll think we&#39;re still—&#34;&#xA;&#xA;He heard the buzz. And dropped instantly, the long butcher knife out. Sickened, he saw it coming down the stairs at him, wings a blur of motion as it aimed itself. It still bore a vague resemblance to Jimmy. It was small, a baby one. A brief glimpse—the thing hurtling at him, cold, multi-lensed inhuman eyes. Wings, body still clothed in yellow T-shirt and jeans, the mimic outline still stamped on it. A strange half-turn of its body as it reached him. What was it doing?&#xA;&#xA;A stinger.&#xA;&#xA;Loyce stabbed wildly at it. It retreated, buzzing frantically. Loyce rolled and crawled toward the door. Tommy and Janet stood still as statues, faces blank. Watching without expression. Loyce stabbed again. This time the knife connected. The thing shrieked and faltered. It bounced against the wall and fluttered down.&#xA;&#xA;Something lapped through his mind. A wall of force, energy, an alien mind probing into him. He was suddenly paralyzed. The mind entered his own, touched against him briefly, shockingly. An utterly alien presence, settling over him—and then it flickered out as the thing collapsed in a broken heap on the rug.&#xA;&#xA;It was dead. He turned it over with his foot. It was an insect, a fly of some kind. Yellow T-shirt, jeans. His son Jimmy.... He closed his mind tight. It was too late to think about that. Savagely he scooped up his knife and headed toward the door. Janet and Tommy stood stone-still, neither of them moving.&#xA;&#xA;The car was out. He&#39;d never get through. They&#39;d be waiting for him. It was ten miles on foot. Ten long miles over rough ground, gulleys and open fields and hills of uncut forest. He&#39;d have to go alone.&#xA;&#xA;Loyce opened the door. For a brief second he looked back at his wife and son. Then he slammed the door behind him and raced down the porch steps.&#xA;&#xA;A moment later he was on his way, hurrying swiftly through the darkness toward the edge of town.&#xA;&#xA;----&#xA;&#xA;The early morning sunlight was blinding. Loyce halted, gasping for breath, swaying back and forth. Sweat ran down in his eyes. His clothing was torn, shredded by the brush and thorns through which he had crawled. Ten miles—on his hands and knees. Crawling, creeping through the night. His shoes were mud-caked. He was scratched and limping, utterly exhausted.&#xA;&#xA;But ahead of him lay Oak Grove.&#xA;&#xA;He took a deep breath and started down the hill. Twice he stumbled and fell, picking himself up and trudging on. His ears rang. Everything receded and wavered. But he was there. He had got out, away from Pikeville.&#xA;&#xA;A farmer in a field gaped at him. From a house a young woman watched in wonder. Loyce reached the road and turned onto it. Ahead of him was a gasoline station and a drive-in. A couple of trucks, some chickens pecking in the dirt, a dog tied with a string.&#xA;&#xA;The white-clad attendant watched suspiciously as he dragged himself up to the station. &#34;Thank God.&#34; He caught hold of the wall. &#34;I didn&#39;t think I was going to make it. They followed me most of the way. I could hear them buzzing. Buzzing and flitting around behind me.&#34;&#xA;&#xA;&#34;What happened?&#34; the attendant demanded. &#34;You in a wreck? A hold-up?&#34;&#xA;&#xA;Loyce shook his head wearily. &#34;They have the whole town. The City Hall and the police station. They hung a man from the lamppost. That was the first thing I saw. They&#39;ve got all the roads blocked. I saw them hovering over the cars coming in. About four this morning I got beyond them. I knew it right away. I could feel them leave. And then the sun came up.&#34;&#xA;&#xA;The attendant licked his lip nervously. &#34;You&#39;re out of your head. I better get a doctor.&#34;&#xA;&#xA;&#34;Get me into Oak Grove,&#34; Loyce gasped. He sank down on the gravel. &#34;We&#39;ve got to get started—cleaning them out. Got to get started right away.&#34;&#xA;&#xA;----&#xA;&#xA;They kept a tape recorder going all the time he talked. When he had finished the Commissioner snapped off the recorder and got to his feet. He stood for a moment, deep in thought. Finally he got out his cigarettes and lit up slowly, a frown on his beefy face.&#xA;&#xA;&#34;You don&#39;t believe me,&#34; Loyce said.&#xA;&#xA;The Commissioner offered him a cigarette. Loyce pushed it impatiently away. &#34;Suit yourself.&#34; The Commissioner moved over to the window and stood for a time looking out at the town of Oak Grove. &#34;I believe you,&#34; he said abruptly.&#xA;&#xA;Loyce sagged. &#34;Thank God.&#34;&#xA;&#xA;&#34;So you got away.&#34; The Commissioner shook his head. &#34;You were down in your cellar instead of at work. A freak chance. One in a million.&#34;&#xA;&#xA;Loyce sipped some of the black coffee they had brought him. &#34;I have a theory,&#34; he murmured.&#xA;&#xA;&#34;What is it?&#34;&#xA;&#xA;&#34;About them. Who they are. They take over one area at a time. Starting at the top—the highest level of authority. Working down from there in a widening circle. When they&#39;re firmly in control they go on to the next town. They spread, slowly, very gradually. I think it&#39;s been going on for a long time.&#34;&#xA;&#xA;&#34;A long time?&#34;&#xA;&#xA;&#34;Thousands of years. I don&#39;t think it&#39;s new.&#34;&#xA;&#xA;&#34;Why do you say that?&#34;&#xA;&#xA;&#34;When I was a kid.... A picture they showed us in Bible League. A religious picture—an old print. The enemy gods, defeated by Jehovah. Moloch, Beelzebub, Moab, Baalin, Ashtaroth—&#34;&#xA;&#xA;&#34;So?&#34;&#xA;&#xA;&#34;They were all represented by figures.&#34; Loyce looked up at the Commissioner. &#34;Beelzebub was represented as—a giant fly.&#34;&#xA;&#xA;The Commissioner grunted. &#34;An old struggle.&#34;&#xA;&#xA;&#34;They&#39;ve been defeated. The Bible is an account of their defeats. They make gains—but finally they&#39;re defeated.&#34;&#xA;&#xA;&#34;Why defeated?&#34;&#xA;&#xA;&#34;They can&#39;t get everyone. They didn&#39;t get me. And they never got the Hebrews. The Hebrews carried the message to the whole world. The realization of the danger. The two men on the bus. I think they understood. Had escaped, like I did.&#34; He clenched his fists. &#34;I killed one of them. I made a mistake. I was afraid to take a chance.&#34;&#xA;&#xA;The Commissioner nodded. &#34;Yes, they undoubtedly had escaped, as you did. Freak accidents. But the rest of the town was firmly in control.&#34; He turned from the window. &#34;Well, Mr. Loyce. You seem to have figured everything out.&#34;&#xA;&#xA;&#34;Not everything. The hanging man. The dead man hanging from the lamppost. I don&#39;t understand that. Why? Why did they deliberately hang him there?&#34;&#xA;&#xA;&#34;That would seem simple.&#34; The Commissioner smiled faintly. &#34;Bait.&#34;&#xA;&#xA;Loyce stiffened. His heart stopped beating. &#34;Bait? What do you mean?&#34;&#xA;&#xA;&#34;To draw you out. Make you declare yourself. So they&#39;d know who was under control—and who had escaped.&#34;&#xA;&#xA;Loyce recoiled with horror. &#34;Then they expected failures! They anticipated—&#34; He broke off. &#34;They were ready with a trap.&#34;&#xA;&#xA;&#34;And you showed yourself. You reacted. You made yourself known.&#34; The Commissioner abruptly moved toward the door. &#34;Come along, Loyce. There&#39;s a lot to do. We must get moving. There&#39;s no time to waste.&#34;&#xA;&#xA;Loyce started slowly to his feet, numbed. &#34;And the man. Who was the man? I never saw him before. He wasn&#39;t a local man. He was a stranger. All muddy and dirty, his face cut, slashed—&#34;&#xA;&#xA;There was a strange look on the Commissioner&#39;s face as he answered. &#34;Maybe,&#34; he said softly, &#34;you&#39;ll understand that, too. Come along with me, Mr. Loyce.&#34; He held the door open, his eyes gleaming. Loyce caught a glimpse of the street in front of the police station. Policemen, a platform of some sort. A telephone pole—and a rope! &#34;Right this way,&#34; the Commissioner said, smiling coldly.&#xA;&#xA;----&#xA;&#xA;As the sun set, the vice-president of the Oak Grove Merchants&#39; Bank came up out of the vault, threw the heavy time locks, put on his hat and coat, and hurried outside onto the sidewalk. Only a few people were there, hurrying home to dinner.&#xA;&#xA;&#34;Good night,&#34; the guard said, locking the door after him.&#xA;&#xA;&#34;Good night,&#34; Clarence Mason murmured. He started along the street toward his car. He was tired. He had been working all day down in the vault, examining the lay-out of the safety deposit boxes to see if there was room for another tier. He was glad to be finished.&#xA;&#xA;At the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze.&#xA;&#xA;From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind.&#xA;&#xA;What the hell was it?&#xA;&#xA;Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn&#39;t tell what it was. Yet it drew him on, made him move closer for a better look. The shapeless thing made him uneasy. He was frightened by it. Frightened—and fascinated.&#xA;&#xA;And the strange part was that nobody else seemed to notice it.&#xA;&#xA;PKDick&#xA;&#xA;Image: A hanging man&#39;s body is regarded by three crows - The San Diego Museum of Art]]&gt;</description>
      <content:encoded><![CDATA[<p><img src="https://i.snap.as/yJOXYCAX.jpg" alt="A hanging man&#39;s body is regarded by three crows"/></p>

<blockquote><p>Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw <em>it</em> hanging in the town square.</p></blockquote>

 

<p>Five o&#39;clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders ached from digging dirt out of the basement and wheeling it into the back yard. But for a forty-year-old man he had done okay. Janet could get a new vase with the money he had saved; and he liked the idea of repairing the foundations himself!</p>

<p>It was getting dark. The setting sun cast long rays over the scurrying commuters, tired and grim-faced, women loaded down with bundles and packages, students swarming home from the university, mixing with clerks and businessmen and drab secretaries. He stopped his Packard for a red light and then started it up again. The store had been open without him; he&#39;d arrive just in time to spell the help for dinner, go over the records of the day, maybe even close a couple of sales himself. He drove slowly past the small square of green in the center of the street, the town park. There were no parking places in front of LOYCE TV SALES AND SERVICE. He cursed under his breath and swung the car in a U-turn. Again he passed the little square of green with its lonely drinking fountain and bench and single lamppost.</p>

<p>From the lamppost something was hanging. A shapeless dark bundle, swinging a little with the wind. Like a dummy of some sort. Loyce rolled down his window and peered out. What the hell was it? A display of some kind? Sometimes the Chamber of Commerce put up displays in the square.</p>

<p>Again he made a U-turn and brought his car around. He passed the park and concentrated on the dark bundle. It wasn&#39;t a dummy. And if it was a display it was a strange kind. The hackles on his neck rose and he swallowed uneasily. Sweat slid out on his face and hands.</p>

<p>It was a body. A human body.</p>

<hr/>

<p>“Look at it!” Loyce snapped. “Come on out here!”</p>

<p>Don Fergusson came slowly out of the store, buttoning his pin-stripe coat with dignity. “This is a big deal, Ed. I can&#39;t just leave the guy standing there.”</p>

<p>“See it?” Ed pointed into the gathering gloom. The lamppost jutted up against the sky—the post and the bundle swinging from it. “There it is. How the hell long has it been there?” His voice rose excitedly. “What&#39;s wrong with everybody? They just walk on past!”</p>

<p>Don Fergusson lit a cigarette slowly. “Take it easy, old man. There must be a good reason, or it wouldn&#39;t be there.”</p>

<p>“A reason! What kind of a reason?”</p>

<p>Fergusson shrugged. “Like the time the Traffic Safety Council put that wrecked Buick there. Some sort of civic thing. How would I know?”</p>

<p>Jack Potter from the shoe shop joined them. “What&#39;s up, boys?”</p>

<p>“There&#39;s a body hanging from the lamppost,” Loyce said. “I&#39;m going to call the cops.”</p>

<p>“They must know about it,” Potter said. “Or otherwise it wouldn&#39;t be there.”</p>

<p>“I got to get back in.” Fergusson headed back into the store. “Business before pleasure.”</p>

<p>Loyce began to get hysterical. “You see it? You see it hanging there? A man&#39;s body! A dead man!”</p>

<p>“Sure, Ed. I saw it this afternoon when I went out for coffee.”</p>

<p>“You mean it&#39;s been there all afternoon?”</p>

<p>“Sure. What&#39;s the matter?” Potter glanced at his watch. “Have to run. See you later, Ed.”</p>

<p>Potter hurried off, joining the flow of people moving along the sidewalk. Men and women, passing by the park. A few glanced up curiously at the dark bundle—and then went on. Nobody stopped. Nobody paid any attention.</p>

<p>“I&#39;m going nuts,” Loyce whispered. He made his way to the curb and crossed out into traffic, among the cars. Horns honked angrily at him. He gained the curb and stepped up onto the little square of green.</p>

<p>The man had been middle-aged. His clothing was ripped and torn, a gray suit, splashed and caked with dried mud. A stranger. Loyce had never seen him before. Not a local man. His face was partly turned, away, and in the evening wind he spun a little, turning gently, silently. His skin was gouged and cut. Red gashes, deep scratches of congealed blood. A pair of steel-rimmed glasses hung from one ear, dangling foolishly. His eyes bulged. His mouth was open, tongue thick and ugly blue.</p>

<p>“For Heaven&#39;s sake,” Loyce muttered, sickened. He pushed down his nausea and made his way back to the sidewalk. He was shaking all over, with revulsion—and fear.</p>

<p><em>Why?</em> Who was the man? Why was he hanging there? What did it mean?</p>

<p>And—why didn&#39;t anybody notice?</p>

<p>He bumped into a small man hurrying along the sidewalk. “Watch it!” the man grated, “Oh, it&#39;s you, Ed.”</p>

<p>Ed nodded dazedly. “Hello, Jenkins.”</p>

<p>“What&#39;s the matter?” The stationery clerk caught Ed&#39;s arm. “You look sick.”</p>

<p>“The body. There in the park.”</p>

<p>“Sure, Ed.” Jenkins led him into the alcove of LOYCE TV SALES AND SERVICE. “Take it easy.”</p>

<p>Margaret Henderson from the jewelry store joined them. “Something wrong?”</p>

<p>“Ed&#39;s not feeling well.”</p>

<p>Loyce yanked himself free. “How can you stand here? Don&#39;t you see it? For God&#39;s sake—”</p>

<p>“What&#39;s he talking about?” Margaret asked nervously.</p>

<p>“The body!” Ed shouted. “The body hanging there!”</p>

<p>More people collected. “Is he sick? It&#39;s Ed Loyce. You okay, Ed?”</p>

<p>“The body!” Loyce screamed, struggling to get past them. Hands caught at him. He tore loose. “Let me go! The police! Get the police!”</p>

<p>“Ed—”</p>

<p>“Better get a doctor!”</p>

<p>“He must be sick.”</p>

<p>“Or drunk.”</p>

<p>Loyce fought his way through the people. He stumbled and half fell. Through a blur he saw rows of faces, curious, concerned, anxious. Men and women halting to see what the disturbance was. He fought past them toward his store. He could see Fergusson inside talking to a man, showing him an Emerson TV set. Pete Foley in the back at the service counter, setting up a new Philco. Loyce shouted at them frantically. His voice was lost in the roar of traffic and the murmur around him.</p>

<p>“Do something!” he screamed. “Don&#39;t stand there! Do something! Something&#39;s wrong! Something&#39;s happened! Things are going on!”</p>

<p>The crowd melted respectfully for the two heavy-set cops moving efficiently toward Loyce.</p>

<hr/>

<p>“Name?” the cop with the notebook murmured.</p>

<p>“Loyce.” He mopped his forehead wearily. “Edward C. Loyce. Listen to me. Back there—”</p>

<p>“Address?” the cop demanded. The police car moved swiftly through traffic, shooting among the cars and buses. Loyce sagged against the seat, exhausted and confused. He took a deep shuddering breath.</p>

<p>“1368 Hurst Road.”</p>

<p>“That&#39;s here in Pikeville?”</p>

<p>“That&#39;s right.” Loyce pulled himself up with a violent effort. “Listen to me. Back there. In the square. Hanging from the lamppost—”</p>

<p>“Where were you today?” the cop behind the wheel demanded.</p>

<p>“Where?” Loyce echoed.</p>

<p>“You weren&#39;t in your shop, were you?”</p>

<p>“No.” He shook his head. “No, I was home. Down in the basement.”</p>

<p>“In the <em>basement</em>?”</p>

<p>“Digging. A new foundation. Getting out the dirt to pour a cement frame. Why? What has that to do with—”</p>

<p>“Was anybody else down there with you?”</p>

<p>“No. My wife was downtown. My kids were at school.” Loyce looked from one heavy-set cop to the other. Hope flicked across his face, wild hope. “You mean because I was down there I missed—the explanation? I didn&#39;t get in on it? Like everybody else?”</p>

<p>After a pause the cop with the notebook said: “That&#39;s right. You missed the explanation.”</p>

<p>“Then it&#39;s official? The body—it&#39;s supposed to be hanging there?”</p>

<p>“It&#39;s <em>supposed</em> to be hanging there. For everybody to see.”</p>

<p>Ed Loyce grinned weakly. “Good Lord. I guess I sort of went off the deep end. I thought maybe something had happened. You know, something like the Ku Klux Klan. Some kind of violence. Communists or Fascists taking over.” He wiped his face with his breast-pocket handkerchief, his hands shaking. “I&#39;m glad to know it&#39;s on the level.”</p>

<p>“It&#39;s on the level.” The police car was getting near the Hall of Justice. The sun had set. The streets were gloomy and dark. The lights had not yet come on.</p>

<p>“I feel better,” Loyce said. “I was pretty excited there, for a minute. I guess I got all stirred up. Now that I understand, there&#39;s no need to take me in, is there?”</p>

<p>The two cops said nothing.</p>

<p>“I should be back at my store. The boys haven&#39;t had dinner. I&#39;m all right, now. No more trouble. Is there any need of—”</p>

<p>“This won&#39;t take long,” the cop behind the wheel interrupted. “A short process. Only a few minutes.”</p>

<p>“I hope it&#39;s short,” Loyce muttered. The car slowed down for a stoplight. “I guess I sort of disturbed the peace. Funny, getting excited like that and—”</p>

<p>Loyce yanked the door open. He sprawled out into the street and rolled to his feet. Cars were moving all around him, gaining speed as the light changed. Loyce leaped onto the curb and raced among the people, burrowing into the swarming crowds. Behind him he heard sounds, shouts, people running.</p>

<p>They weren&#39;t cops. He had realized that right away. He knew every cop in Pikeville. A man couldn&#39;t own a store, operate a business in a small town for twenty-five years without getting to know all the cops.</p>

<p>They weren&#39;t cops—and there hadn&#39;t been any explanation. Potter, Fergusson, Jenkins, none of them knew why it was there. They didn&#39;t know—and they didn&#39;t care. <em>That</em> was the strange part.</p>

<p>Loyce ducked into a hardware store. He raced toward the back, past the startled clerks and customers, into the shipping room and through the back door. He tripped over a garbage can and ran up a flight of concrete steps. He climbed over a fence and jumped down on the other side, gasping and panting.</p>

<p>There was no sound behind him. He had got away.</p>

<p>He was at the entrance of an alley, dark and strewn with boards and ruined boxes and tires. He could see the street at the far end. A street light wavered and came on. Men and women. Stores. Neon signs. Cars.</p>

<p>And to his right—the police station.</p>

<p>He was close, terribly close. Past the loading platform of a grocery store rose the white concrete side of the Hall of Justice. Barred windows. The police antenna. A great concrete wall rising up in the darkness. A bad place for him to be near. He was too close. He had to keep moving, get farther away from them.</p>

<p><em>Them?</em></p>

<p>Loyce moved cautiously down the alley. Beyond the police station was the City Hall, the old-fashioned yellow structure of wood and gilded brass and broad cement steps. He could see the endless rows of offices, dark windows, the cedars and beds of flowers on each side of the entrance.</p>

<p>And—something else.</p>

<p>Above the City Hall was a patch of darkness, a cone of gloom denser than the surrounding night. A prism of black that spread out and was lost into the sky.</p>

<p>He listened. Good God, he could hear something. Something that made him struggle frantically to close his ears, his mind, to shut out the sound. A buzzing. A distant, muted hum like a great swarm of bees.</p>

<p>Loyce gazed up, rigid with horror. The splotch of darkness, hanging over the City Hall. Darkness so thick it seemed almost solid. In the vortex something moved. Flickering shapes. Things, descending from the sky, pausing momentarily above the City Hall, fluttering over it in a dense swarm and then dropping silently onto the roof.</p>

<p>Shapes. Fluttering shapes from the sky. From the crack of darkness that hung above him.</p>

<p>He was seeing—them.</p>

<hr/>

<p>For a long time Loyce watched, crouched behind a sagging fence in a pool of scummy water.</p>

<p>They were landing. Coming down in groups, landing on the roof of the City Hall and disappearing inside. They had wings. Like giant insects of some kind. They flew and fluttered and came to rest—and then crawled crab-fashion, sideways, across the roof and into the building.</p>

<p>He was sickened. And fascinated. Cold night wind blew around him and he shuddered. He was tired, dazed with shock. On the front steps of the City Hall were men, standing here and there. Groups of men coming out of the building and halting for a moment before going on.</p>

<p>Were there more of them?</p>

<p>It didn&#39;t seem possible. What he saw descending from the black chasm weren&#39;t men. They were alien—from some other world, some other dimension. Sliding through this slit, this break in the shell of the universe. Entering through this gap, winged insects from another realm of being.</p>

<p>On the steps of the City Hall a group of men broke up. A few moved toward a waiting car. One of the remaining shapes started to re-enter the City Hall. It changed its mind and turned to follow the others.</p>

<p>Loyce closed his eyes in horror. His senses reeled. He hung on tight, clutching at the sagging fence. The shape, the man-shape, had abruptly fluttered up and flapped after the others. It flew to the sidewalk and came to rest among them.</p>

<p>Pseudo-men. Imitation men. Insects with ability to disguise themselves as men. Like other insects familiar to Earth. Protective coloration. Mimicry.</p>

<p>Loyce pulled himself away. He got slowly to his feet. It was night. The alley was totally dark. But maybe they could see in the dark. Maybe darkness made no difference to them.</p>

<p>He left the alley cautiously and moved out onto the street. Men and women flowed past, but not so many, now. At the bus-stops stood waiting groups. A huge bus lumbered along the street, its lights flashing in the evening gloom.</p>

<p>Loyce moved forward. He pushed his way among those waiting and when the bus halted he boarded it and took a seat in the rear, by the door. A moment later the bus moved into life and rumbled down the street.</p>

<hr/>

<p>Loyce relaxed a little. He studied the people around him. Dulled, tired faces. People going home from work. Quite ordinary faces. None of them paid any attention to him. All sat quietly, sunk down in their seats, jiggling with the motion of the bus.</p>

<p>The man sitting next to him unfolded a newspaper. He began to read the sports section, his lips moving. An ordinary man. Blue suit. Tie. A businessman, or a salesman. On his way home to his wife and family.</p>

<p>Across the aisle a young woman, perhaps twenty. Dark eyes and hair, a package on her lap. Nylons and heels. Red coat and white angora sweater. Gazing absently ahead of her.</p>

<p>A high school boy in jeans and black jacket.</p>

<p>A great triple-chinned woman with an immense shopping bag loaded with packages and parcels. Her thick face dim with weariness.</p>

<p>Ordinary people. The kind that rode the bus every evening. Going home to their families. To dinner.</p>

<p>Going home—with their minds dead. Controlled, filmed over with the mask of an alien being that had appeared and taken possession of them, their town, their lives. Himself, too. Except that he happened to be deep in his cellar instead of in the store. Somehow, he had been overlooked. They had missed him. Their control wasn&#39;t perfect, foolproof.</p>

<p>Maybe there were others.</p>

<p>Hope flickered in Loyce. They weren&#39;t omnipotent. They had made a mistake, not got control of him. Their net, their field of control, had passed over him. He had emerged from his cellar as he had gone down. Apparently their power-zone was limited.</p>

<p>A few seats down the aisle a man was watching him. Loyce broke off his chain of thought. A slender man, with dark hair and a small mustache. Well-dressed, brown suit and shiny shoes. A book between his small hands. He was watching Loyce, studying him intently. He turned quickly away.</p>

<p>Loyce tensed. One of <em>them</em>? Or—another they had missed?</p>

<p>The man was watching him again. Small dark eyes, alive and clever. Shrewd. A man too shrewd for them—or one of the things itself, an alien insect from beyond.</p>

<p>The bus halted. An elderly man got on slowly and dropped his token into the box. He moved down the aisle and took a seat opposite Loyce.</p>

<p>The elderly man caught the sharp-eyed man&#39;s gaze. For a split second something passed between them.</p>

<p>A look rich with meaning.</p>

<p>Loyce got to his feet. The bus was moving. He ran to the door. One step down into the well. He yanked the emergency door release. The rubber door swung open.</p>

<p>“Hey!” the driver shouted, jamming on the brakes. “What the hell—”</p>

<p>Loyce squirmed through. The bus was slowing down. Houses on all sides. A residential district, lawns and tall apartment buildings. Behind him, the bright-eyed man had leaped up. The elderly man was also on his feet. They were coming after him.</p>

<p>Loyce leaped. He hit the pavement with terrific force and rolled against the curb. Pain lapped over him. Pain and a vast tide of blackness. Desperately, he fought it off. He struggled to his knees and then slid down again. The bus had stopped. People were getting off.</p>

<p>Loyce groped around. His fingers closed over something. A rock, lying in the gutter. He crawled to his feet, grunting with pain. A shape loomed before him. A man, the bright-eyed man with the book.</p>

<p>Loyce kicked. The man gasped and fell. Loyce brought the rock down. The man screamed and tried to roll away. “<em>Stop!</em> For God&#39;s sake listen—”</p>

<p>He struck again. A hideous crunching sound. The man&#39;s voice cut off and dissolved in a bubbling wail. Loyce scrambled up and back. The others were there, now. All around him. He ran, awkwardly, down the sidewalk, up a driveway. None of them followed him. They had stopped and were bending over the inert body of the man with the book, the bright-eyed man who had come after him.</p>

<p>Had he made a mistake?</p>

<p>But it was too late to worry about that. He had to get out—away from them. Out of Pikeville, beyond the crack of darkness, the rent between their world and his.</p>

<hr/>

<p>“Ed!” Janet Loyce backed away nervously. “What is it? What—”</p>

<p>Ed Loyce slammed the door behind him and came into the living room. “Pull down the shades. Quick.”</p>

<p>Janet moved toward the window. “But—”</p>

<p>“Do as I say. Who else is here besides you?”</p>

<p>“Nobody. Just the twins. They&#39;re upstairs in their room. What&#39;s happened? You look so strange. Why are you home?”</p>

<p>Ed locked the front door. He prowled around the house, into the kitchen. From the drawer under the sink he slid out the big butcher knife and ran his finger along it. Sharp. Plenty sharp. He returned to the living room.</p>

<p>“Listen to me,” he said. “I don&#39;t have much time. They know I escaped and they&#39;ll be looking for me.”</p>

<p>“Escaped?” Janet&#39;s face twisted with bewilderment and fear. “Who?”</p>

<p>“The town has been taken over. They&#39;re in control. I&#39;ve got it pretty well figured out. They started at the top, at the City Hall and police department. What they did with the <em>real</em> humans they—”</p>

<p>“What are you talking about?”</p>

<p>“We&#39;ve been invaded. From some other universe, some other dimension. They&#39;re insects. Mimicry. And more. Power to control minds. Your mind.”</p>

<p>“My mind?”</p>

<p>“Their entrance is <em>here</em>, in Pikeville. They&#39;ve taken over all of you. The whole town—except me. We&#39;re up against an incredibly powerful enemy, but they have their limitations. That&#39;s our hope. They&#39;re limited! They can make mistakes!”</p>

<p>Janet shook her head. “I don&#39;t understand, Ed. You must be insane.”</p>

<p>“Insane? No. Just lucky. If I hadn&#39;t been down in the basement I&#39;d be like all the rest of you.” Loyce peered out the window. “But I can&#39;t stand here talking. Get your coat.”</p>

<p>“My coat?”</p>

<p>“We&#39;re getting out of here. Out of Pikeville. We&#39;ve got to get help. Fight this thing. They <em>can</em> be beaten. They&#39;re not infallible. It&#39;s going to be close—but we may make it if we hurry. Come on!” He grabbed her arm roughly. “Get your coat and call the twins. We&#39;re all leaving. Don&#39;t stop to pack. There&#39;s no time for that.”</p>

<p>White-faced, his wife moved toward the closet and got down her coat. “Where are we going?”</p>

<p>Ed pulled open the desk drawer and spilled the contents out onto the floor. He grabbed up a road map and spread it open. “They&#39;ll have the highway covered, of course. But there&#39;s a back road. To Oak Grove. I got onto it once. It&#39;s practically abandoned. Maybe they&#39;ll forget about it.”</p>

<p>“The old Ranch Road? Good Lord—it&#39;s completely closed. Nobody&#39;s supposed to drive over it.”</p>

<p>“I know.” Ed thrust the map grimly into his coat. “That&#39;s our best chance. Now call down the twins and let&#39;s get going. Your car is full of gas, isn&#39;t it?”</p>

<p>Janet was dazed.</p>

<p>“The Chevy? I had it filled up yesterday afternoon.” Janet moved toward the stairs. “Ed, I—”</p>

<p>“Call the twins!” Ed unlocked the front door and peered out. Nothing stirred. No sign of life. All right so far.</p>

<p>“Come on downstairs,” Janet called in a wavering voice. “We&#39;re—going out for awhile.”</p>

<p>“Now?” Tommy&#39;s voice came.</p>

<p>“Hurry up,” Ed barked. “Get down here, both of you.”</p>

<p>Tommy appeared at the top of the stairs. “I was doing my home work. We&#39;re starting fractions. Miss Parker says if we don&#39;t get this done—”</p>

<p>“You can forget about fractions.” Ed grabbed his son as he came down the stairs and propelled him toward the door. “Where&#39;s Jim?”</p>

<p>“He&#39;s coming.”</p>

<p>Jim started slowly down the stairs. “What&#39;s up, Dad?”</p>

<p>“We&#39;re going for a ride.”</p>

<p>“A ride? Where?”</p>

<p>Ed turned to Janet. “We&#39;ll leave the lights on. And the TV set. Go turn it on.” He pushed her toward the set. “So they&#39;ll think we&#39;re still—”</p>

<p>He heard the buzz. And dropped instantly, the long butcher knife out. Sickened, he saw it coming down the stairs at him, wings a blur of motion as it aimed itself. It still bore a vague resemblance to Jimmy. It was small, a baby one. A brief glimpse—the thing hurtling at him, cold, multi-lensed inhuman eyes. Wings, body still clothed in yellow T-shirt and jeans, the mimic outline still stamped on it. A strange half-turn of its body as it reached him. What was it doing?</p>

<p>A stinger.</p>

<p>Loyce stabbed wildly at it. It retreated, buzzing frantically. Loyce rolled and crawled toward the door. Tommy and Janet stood still as statues, faces blank. Watching without expression. Loyce stabbed again. This time the knife connected. The thing shrieked and faltered. It bounced against the wall and fluttered down.</p>

<p>Something lapped through his mind. A wall of force, energy, an alien mind probing into him. He was suddenly paralyzed. The mind entered his own, touched against him briefly, shockingly. An utterly alien presence, settling over him—and then it flickered out as the thing collapsed in a broken heap on the rug.</p>

<p>It was dead. He turned it over with his foot. It was an insect, a fly of some kind. Yellow T-shirt, jeans. His son Jimmy.... He closed his mind tight. It was too late to think about that. Savagely he scooped up his knife and headed toward the door. Janet and Tommy stood stone-still, neither of them moving.</p>

<p>The car was out. He&#39;d never get through. They&#39;d be waiting for him. It was ten miles on foot. Ten long miles over rough ground, gulleys and open fields and hills of uncut forest. He&#39;d have to go alone.</p>

<p>Loyce opened the door. For a brief second he looked back at his wife and son. Then he slammed the door behind him and raced down the porch steps.</p>

<p>A moment later he was on his way, hurrying swiftly through the darkness toward the edge of town.</p>

<hr/>

<p>The early morning sunlight was blinding. Loyce halted, gasping for breath, swaying back and forth. Sweat ran down in his eyes. His clothing was torn, shredded by the brush and thorns through which he had crawled. Ten miles—on his hands and knees. Crawling, creeping through the night. His shoes were mud-caked. He was scratched and limping, utterly exhausted.</p>

<p>But ahead of him lay Oak Grove.</p>

<p>He took a deep breath and started down the hill. Twice he stumbled and fell, picking himself up and trudging on. His ears rang. Everything receded and wavered. But he was there. He had got out, away from Pikeville.</p>

<p>A farmer in a field gaped at him. From a house a young woman watched in wonder. Loyce reached the road and turned onto it. Ahead of him was a gasoline station and a drive-in. A couple of trucks, some chickens pecking in the dirt, a dog tied with a string.</p>

<p>The white-clad attendant watched suspiciously as he dragged himself up to the station. “Thank God.” He caught hold of the wall. “I didn&#39;t think I was going to make it. They followed me most of the way. I could hear them buzzing. Buzzing and flitting around behind me.”</p>

<p>“What happened?” the attendant demanded. “You in a wreck? A hold-up?”</p>

<p>Loyce shook his head wearily. “They have the whole town. The City Hall and the police station. They hung a man from the lamppost. That was the first thing I saw. They&#39;ve got all the roads blocked. I saw them hovering over the cars coming in. About four this morning I got beyond them. I knew it right away. I could feel them leave. And then the sun came up.”</p>

<p>The attendant licked his lip nervously. “You&#39;re out of your head. I better get a doctor.”</p>

<p>“Get me into Oak Grove,” Loyce gasped. He sank down on the gravel. “We&#39;ve got to get started—cleaning them out. Got to get started right away.”</p>

<hr/>

<p>They kept a tape recorder going all the time he talked. When he had finished the Commissioner snapped off the recorder and got to his feet. He stood for a moment, deep in thought. Finally he got out his cigarettes and lit up slowly, a frown on his beefy face.</p>

<p>“You don&#39;t believe me,” Loyce said.</p>

<p>The Commissioner offered him a cigarette. Loyce pushed it impatiently away. “Suit yourself.” The Commissioner moved over to the window and stood for a time looking out at the town of Oak Grove. “I believe you,” he said abruptly.</p>

<p>Loyce sagged. “Thank God.”</p>

<p>“So you got away.” The Commissioner shook his head. “You were down in your cellar instead of at work. A freak chance. One in a million.”</p>

<p>Loyce sipped some of the black coffee they had brought him. “I have a theory,” he murmured.</p>

<p>“What is it?”</p>

<p>“About them. Who they are. They take over one area at a time. Starting at the top—the highest level of authority. Working down from there in a widening circle. When they&#39;re firmly in control they go on to the next town. They spread, slowly, very gradually. I think it&#39;s been going on for a long time.”</p>

<p>“A long time?”</p>

<p>“Thousands of years. I don&#39;t think it&#39;s new.”</p>

<p>“Why do you say that?”</p>

<p>“When I was a kid.... A picture they showed us in Bible League. A religious picture—an old print. The enemy gods, defeated by Jehovah. Moloch, Beelzebub, Moab, Baalin, Ashtaroth—”</p>

<p>“So?”</p>

<p>“They were all represented by figures.” Loyce looked up at the Commissioner. “Beelzebub was represented as—a giant fly.”</p>

<p>The Commissioner grunted. “An old struggle.”</p>

<p>“They&#39;ve been defeated. The Bible is an account of their defeats. They make gains—but finally they&#39;re defeated.”</p>

<p>“Why defeated?”</p>

<p>“They can&#39;t get everyone. They didn&#39;t get me. And they never got the Hebrews. The Hebrews carried the message to the whole world. The realization of the danger. The two men on the bus. I think they understood. Had escaped, like I did.” He clenched his fists. “I killed one of them. I made a mistake. I was afraid to take a chance.”</p>

<p>The Commissioner nodded. “Yes, they undoubtedly had escaped, as you did. Freak accidents. But the rest of the town was firmly in control.” He turned from the window. “Well, Mr. Loyce. You seem to have figured everything out.”</p>

<p>“Not everything. The hanging man. The dead man hanging from the lamppost. I don&#39;t understand that. Why? Why did they deliberately hang him there?”</p>

<p>“That would seem simple.” The Commissioner smiled faintly. “<em>Bait</em>.”</p>

<p>Loyce stiffened. His heart stopped beating. “Bait? What do you mean?”</p>

<p>“To draw you out. Make you declare yourself. So they&#39;d know who was under control—and who had escaped.”</p>

<p>Loyce recoiled with horror. “Then they expected failures! They anticipated—” He broke off. “They were ready with a trap.”</p>

<p>“And you showed yourself. You reacted. You made yourself known.” The Commissioner abruptly moved toward the door. “Come along, Loyce. There&#39;s a lot to do. We must get moving. There&#39;s no time to waste.”</p>

<p>Loyce started slowly to his feet, numbed. “And the man. <em>Who was the man?</em> I never saw him before. He wasn&#39;t a local man. He was a stranger. All muddy and dirty, his face cut, slashed—”</p>

<p>There was a strange look on the Commissioner&#39;s face as he answered. “Maybe,” he said softly, “you&#39;ll understand that, too. Come along with me, Mr. Loyce.” He held the door open, his eyes gleaming. Loyce caught a glimpse of the street in front of the police station. Policemen, a platform of some sort. A telephone pole—and a rope! “Right this way,” the Commissioner said, smiling coldly.</p>

<hr/>

<p>As the sun set, the vice-president of the Oak Grove Merchants&#39; Bank came up out of the vault, threw the heavy time locks, put on his hat and coat, and hurried outside onto the sidewalk. Only a few people were there, hurrying home to dinner.</p>

<p>“Good night,” the guard said, locking the door after him.</p>

<p>“Good night,” Clarence Mason murmured. He started along the street toward his car. He was tired. He had been working all day down in the vault, examining the lay-out of the safety deposit boxes to see if there was room for another tier. He was glad to be finished.</p>

<p>At the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze.</p>

<p>From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind.</p>

<p>What the hell was it?</p>

<p>Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn&#39;t tell what it was. Yet it drew him on, made him move closer for a better look. The shapeless thing made him uneasy. He was frightened by it. Frightened—and fascinated.</p>

<p>And the strange part was that nobody else seemed to notice it.</p>

<p><a href="https://sfss.space/tag:PKDick" class="hashtag"><span>#</span><span class="p-category">PKDick</span></a></p>

<p><strong>Image</strong>: A hanging man&#39;s body is regarded by three crows – The San Diego Museum of Art</p>
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      <guid>https://sfss.space/the-hanging-stranger-1953-philip-k</guid>
      <pubDate>Sat, 06 Aug 2022 10:31:26 +0000</pubDate>
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    <item>
      <title>Archives</title>
      <link>https://sfss.space/archives?pk_campaign=rss-feed</link>
      <description>&lt;![CDATA[Public domain&#xA;&#xA;anderson&#xA;bester&#xA;bradbury&#xA;delrey&#xA;PKDick&#xA;harrison&#xA;herbert&#xA;kuttner&#xA;lafferty&#xA;lovecraft&#xA;sheckley&#xA;smith&#xA;voltaire&#xA;simak&#xA;vance&#xA;vonnegut&#xA;yarov&#xA;wells&#xA;&#xA;Creative Commons license&#xA;&#xA;doctorow&#xA;shiner&#xA;stallman&#xA;watts&#xA;&#xA;Standard copyright&#xA;&#xA;abbott&#xA;burnett&#xA;standre&#xA;ubg&#xA;weir&#xA;&#xA;Other&#xA;&#xA;français&#xA;shortinterviews&#xA;shortmovies&#xA;thoughts&#xA;&#xA;Interviews&#xA;&#xA;Patrick Abbott&#xA;Adedapo Adeniyi&#xA;Neal Asher&#xA;Misha Burnett&#xA;Travis Corcoran&#xA;Cory Doctorow&#xA;Lewis Shiner&#xA;Wole Talabi&#xA;Marie Vibbert&#xA;Peter Watts&#xA;]]&gt;</description>
      <content:encoded><![CDATA[<p><strong>Public domain</strong></p>

<p><a href="https://sfss.space/tag:anderson" class="hashtag"><span>#</span><span class="p-category">anderson</span></a>
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<p><strong>Creative Commons license</strong></p>

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<p><strong>Other</strong></p>

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<p><strong>Interviews</strong></p>
<ul><li><a href="https://sfss.space/short-interview-4-patrick-abbott">Patrick Abbott</a></li>
<li><a href="https://sfss.space/interview-adedapo-adeniyi">Adedapo Adeniyi</a></li>
<li><a href="https://sfss.space/short-interview-5-neal-asher">Neal Asher</a></li>
<li><a href="https://sfss.space/short-interview-misha-burnett">Misha Burnett</a></li>
<li><a href="https://sfss.space/short-interview-7-travis-corcoran">Travis Corcoran</a></li>
<li><a href="https://sfss.space/short-interview-6-cory-doctorow">Cory Doctorow</a></li>
<li><a href="https://sfss.space/short-interview-1-lewis-shiner-8v56">Lewis Shiner</a></li>
<li><a href="https://sfss.space/short-interview-wole-talabi">Wole Talabi</a></li>
<li><a href="https://sfss.space/short-interview-3-marie-vibbert">Marie Vibbert</a></li>
<li><a href="https://sfss.space/short-interview-2-peter-watts">Peter Watts</a></li></ul>
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      <guid>https://sfss.space/archives</guid>
      <pubDate>Sat, 30 Nov 2019 00:41:10 +0000</pubDate>
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    <item>
      <title>Beyond Lies the Wub (1952) - Philip K. Dick</title>
      <link>https://sfss.space/beyond-lies-the-wub-1952-philip-k?pk_campaign=rss-feed</link>
      <description>&lt;![CDATA[Three men standing, a strange creature in the middle&#xA;&#xA;  The slovenly wub might well have said: Many men talk like philosophers and live like fools.&#xA;!--more--&#xA;They had almost finished with the loading. Outside stood the Optus, his arms folded, his face sunk in gloom. Captain Franco walked leisurely down the gangplank, grinning.&#xA;&#xA;&#34;What&#39;s the matter?&#34; he said. &#34;You&#39;re getting paid for all this.&#34;&#xA;&#xA;The Optus said nothing. He turned away, collecting his robes. The Captain put his boot on the hem of the robe.&#xA;&#xA;&#34;Just a minute. Don&#39;t go off. I&#39;m not finished.&#34;&#xA;&#xA;&#34;Oh?&#34; The Optus turned with dignity. &#34;I am going back to the village.&#34; He looked toward the animals and birds being driven up the gangplank into the spaceship. &#34;I must organize new hunts.&#34;&#xA;&#xA;Franco lit a cigarette. &#34;Why not? You people can go out into the veldt and track it all down again. But when we run out halfway between Mars and Earth—&#34;&#xA;&#xA;The Optus went off, wordless. Franco joined the first mate at the bottom of the gangplank.&#xA;&#xA;&#34;How&#39;s it coming?&#34; he said. He looked at his watch. &#34;We got a good bargain here.&#34;&#xA;&#xA;The mate glanced at him sourly. &#34;How do you explain that?&#34;&#xA;&#xA;&#34;What&#39;s the matter with you? We need it more than they do.&#34;&#xA;&#xA;&#34;I&#39;ll see you later, Captain.&#34; The mate threaded his way up the plank, between the long-legged Martian go-birds, into the ship. Franco watched him disappear. He was just starting up after him, up the plank toward the port, when he saw it.&#xA;&#xA;&#34;My God!&#34; He stood staring, his hands on his hips. Peterson was walking along the path, his face red, leading it by a string.&#xA;&#xA;&#34;I&#39;m sorry, Captain,&#34; he said, tugging at the string. Franco walked toward him.&#xA;&#xA;&#34;What is it?&#34;&#xA;&#xA;The wub stood sagging, its great body settling slowly. It was sitting down, its eyes half shut. A few flies buzzed about its flank, and it switched its tail.&#xA;&#xA;It sat. There was silence.&#xA;&#xA;&#34;It&#39;s a wub,&#34; Peterson said. &#34;I got it from a native for fifty cents. He said it was a very unusual animal. Very respected.&#34;&#xA;&#xA;&#34;This?&#34; Franco poked the great sloping side of the wub. &#34;It&#39;s a pig! A huge dirty pig!&#34;&#xA;&#xA;&#34;Yes sir, it&#39;s a pig. The natives call it a wub.&#34;&#xA;&#xA;&#34;A huge pig. It must weigh four hundred pounds.&#34; Franco grabbed a tuft of the rough hair. The wub gasped. Its eyes opened, small and moist. Then its great mouth twitched.&#xA;&#xA;A tear rolled down the wub&#39;s cheek and splashed on the floor.&#xA;&#xA;&#34;Maybe it&#39;s good to eat,&#34; Peterson said nervously.&#xA;&#xA;&#34;We&#39;ll soon find out,&#34; Franco said.&#xA;!--more--&#xA;----&#xA;&#xA;The wub survived the take-off, sound asleep in the hold of the ship. When they were out in space and everything was running smoothly, Captain Franco bade his men fetch the wub upstairs so that he might perceive what manner of beast it was.&#xA;&#xA;The wub grunted and wheezed, squeezing up the passageway.&#xA;&#xA;&#34;Come on,&#34; Jones grated, pulling at the rope. The wub twisted, rubbing its skin off on the smooth chrome walls. It burst into the ante-room, tumbling down in a heap. The men leaped up.&#xA;&#xA;&#34;Good Lord,&#34; French said. &#34;What is it?&#34;&#xA;&#xA;&#34;Peterson says it&#39;s a wub,&#34; Jones said. &#34;It belongs to him.&#34; He kicked at the wub. The wub stood up unsteadily, panting.&#xA;&#xA;&#34;What&#39;s the matter with it?&#34; French came over. &#34;Is it going to be sick?&#34;&#xA;&#xA;They watched. The wub rolled its eyes mournfully. It gazed around at the men.&#xA;&#xA;&#34;I think it&#39;s thirsty,&#34; Peterson said. He went to get some water. French shook his head.&#xA;&#xA;&#34;No wonder we had so much trouble taking off. I had to reset all my ballast calculations.&#34;&#xA;&#xA;Peterson came back with the water. The wub began to lap gratefully, splashing the men.&#xA;&#xA;Captain Franco appeared at the door.&#xA;&#xA;&#34;Let&#39;s have a look at it.&#34; He advanced, squinting critically. &#34;You got this for fifty cents?&#34;&#xA;&#xA;&#34;Yes, sir,&#34; Peterson said. &#34;It eats almost anything. I fed it on grain and it liked that. And then potatoes, and mash, and scraps from the table, and milk. It seems to enjoy eating. After it eats it lies down and goes to sleep.&#34;&#xA;&#xA;&#34;I see,&#34; Captain Franco said. &#34;Now, as to its taste. That&#39;s the real question. I doubt if there&#39;s much point in fattening it up any more. It seems fat enough to me already. Where&#39;s the cook? I want him here. I want to find out—&#34;&#xA;&#xA;The wub stopped lapping and looked up at the Captain.&#xA;&#xA;&#34;Really, Captain,&#34; the wub said. &#34;I suggest we talk of other matters.&#34;&#xA;&#xA;The room was silent.&#xA;&#xA;&#34;What was that?&#34; Franco said. &#34;Just now.&#34;&#xA;&#xA;&#34;The wub, sir,&#34; Peterson said. &#34;It spoke.&#34;&#xA;&#xA;They all looked at the wub.&#xA;&#xA;&#34;What did it say? What did it say?&#34;&#xA;&#xA;&#34;It suggested we talk about other things.&#34;&#xA;&#xA;Franco walked toward the wub. He went all around it, examining it from every side. Then he came back over and stood with the men.&#xA;&#xA;&#34;I wonder if there&#39;s a native inside it,&#34; he said thoughtfully. &#34;Maybe we should open it up and have a look.&#34;&#xA;&#xA;&#34;Oh, goodness!&#34; the wub cried. &#34;Is that all you people can think of, killing and cutting?&#34;&#xA;&#xA;Franco clenched his fists. &#34;Come out of there! Whoever you are, come out!&#34;&#xA;&#xA;Nothing stirred. The men stood together, their faces blank, staring at the wub. The wub swished its tail. It belched suddenly.&#xA;&#xA;&#34;I beg your pardon,&#34; the wub said.&#xA;&#xA;&#34;I don&#39;t think there&#39;s anyone in there,&#34; Jones said in a low voice. They all looked at each other.&#xA;&#xA;The cook came in.&#xA;&#xA;&#34;You wanted me, Captain?&#34; he said. &#34;What&#39;s this thing?&#34;&#xA;&#xA;&#34;This is a wub,&#34; Franco said. &#34;It&#39;s to be eaten. Will you measure it and figure out—&#34;&#xA;&#xA;&#34;I think we should have a talk,&#34; the wub said. &#34;I&#39;d like to discuss this with you, Captain, if I might. I can see that you and I do not agree on some basic issues.&#34;&#xA;&#xA;The Captain took a long time to answer. The wub waited good-naturedly, licking the water from its jowls.&#xA;&#xA;&#34;Come into my office,&#34; the Captain said at last. He turned and walked out of the room. The wub rose and padded after him. The men watched it go out. They heard it climbing the stairs.&#xA;&#xA;&#34;I wonder what the outcome will be,&#34; the cook said. &#34;Well, I&#39;ll be in the kitchen. Let me know as soon as you hear.&#34;&#xA;&#xA;&#34;Sure,&#34; Jones said. &#34;Sure.&#34;&#xA;&#xA;----&#xA;&#xA;The wub eased itself down in the corner with a sigh. &#34;You must forgive me,&#34; it said. &#34;I&#39;m afraid I&#39;m addicted to various forms of relaxation. When one is as large as I—&#34;&#xA;&#xA;The Captain nodded impatiently. He sat down at his desk and folded his hands.&#xA;&#xA;&#34;All right,&#34; he said. &#34;Let&#39;s get started. You&#39;re a wub? Is that correct?&#34;&#xA;&#xA;The wub shrugged. &#34;I suppose so. That&#39;s what they call us, the natives, I mean. We have our own term.&#34;&#xA;&#xA;&#34;And you speak English? You&#39;ve been in contact with Earthmen before?&#34;&#xA;&#xA;&#34;No.&#34;&#xA;&#xA;&#34;Then how do you do it?&#34;&#xA;&#xA;&#34;Speak English? Am I speaking English? I&#39;m not conscious of speaking anything in particular. I examined your mind—&#34;&#xA;&#xA;&#34;My mind?&#34;&#xA;&#xA;&#34;I studied the contents, especially the semantic warehouse, as I refer to it—&#34;&#xA;&#xA;&#34;I see,&#34; the Captain said. &#34;Telepathy. Of course.&#34;&#xA;&#xA;&#34;We are a very old race,&#34; the wub said. &#34;Very old and very ponderous. It is difficult for us to move around. You can appreciate that anything so slow and heavy would be at the mercy of more agile forms of life. There was no use in our relying on physical defenses. How could we win? Too heavy to run, too soft to fight, too good-natured to hunt for game—&#34;&#xA;&#xA;&#34;How do you live?&#34;&#xA;&#xA;&#34;Plants. Vegetables. We can eat almost anything. We&#39;re very catholic. Tolerant, eclectic, catholic. We live and let live. That&#39;s how we&#39;ve gotten along.&#34;&#xA;&#xA;The wub eyed the Captain.&#xA;&#xA;&#34;And that&#39;s why I so violently objected to this business about having me boiled. I could see the image in your mind—most of me in the frozen food locker, some of me in the kettle, a bit for your pet cat—&#34;&#xA;&#xA;&#34;So you read minds?&#34; the Captain said. &#34;How interesting. Anything else? I mean, what else can you do along those lines?&#34;&#xA;&#xA;&#34;A few odds and ends,&#34; the wub said absently, staring around the room. &#34;A nice apartment you have here, Captain. You keep it quite neat. I respect life-forms that are tidy. Some Martian birds are quite tidy. They throw things out of their nests and sweep them—&#34;&#xA;&#xA;&#34;Indeed.&#34; The Captain nodded. &#34;But to get back to the problem—&#34;&#xA;&#xA;&#34;Quite so. You spoke of dining on me. The taste, I am told, is good. A little fatty, but tender. But how can any lasting contact be established between your people and mine if you resort to such barbaric attitudes? Eat me? Rather you should discuss questions with me, philosophy, the arts—&#34;&#xA;&#xA;The Captain stood up. &#34;Philosophy. It might interest you to know that we will be hard put to find something to eat for the next month. An unfortunate spoilage—&#34;&#xA;&#xA;&#34;I know.&#34; The wub nodded. &#34;But wouldn&#39;t it be more in accord with your principles of democracy if we all drew straws, or something along that line? After all, democracy is to protect the minority from just such infringements. Now, if each of us casts one vote—&#34;&#xA;&#xA;The Captain walked to the door.&#xA;&#xA;&#34;Nuts to you,&#34; he said. He opened the door. He opened his mouth.&#xA;&#xA;He stood frozen, his mouth wide, his eyes staring, his fingers still on the knob.&#xA;&#xA;The wub watched him. Presently it padded out of the room, edging past the Captain. It went down the hall, deep in meditation.&#xA;&#xA;----&#xA;&#xA;The room was quiet.&#xA;&#xA;&#34;So you see,&#34; the wub said, &#34;we have a common myth. Your mind contains many familiar myth symbols. Ishtar, Odysseus—&#34;&#xA;&#xA;Peterson sat silently, staring at the floor. He shifted in his chair.&#xA;&#xA;&#34;Go on,&#34; he said. &#34;Please go on.&#34;&#xA;&#xA;&#34;I find in your Odysseus a figure common to the mythology of most self-conscious races. As I interpret it, Odysseus wanders as an individual, aware of himself as such. This is the idea of separation, of separation from family and country. The process of individuation.&#34;&#xA;&#xA;&#34;But Odysseus returns to his home.&#34; Peterson looked out the port window, at the stars, endless stars, burning intently in the empty universe. &#34;Finally he goes home.&#34;&#xA;&#xA;&#34;As must all creatures. The moment of separation is a temporary period, a brief journey of the soul. It begins, it ends. The wanderer returns to land and race....&#34;&#xA;&#xA;The door opened. The wub stopped, turning its great head.&#xA;&#xA;Captain Franco came into the room, the men behind him. They hesitated at the door.&#xA;&#xA;&#34;Are you all right?&#34; French said.&#xA;&#xA;&#34;Do you mean me?&#34; Peterson said, surprised. &#34;Why me?&#34;&#xA;&#xA;Franco lowered his gun. &#34;Come over here,&#34; he said to Peterson. &#34;Get up and come here.&#34;&#xA;&#xA;There was silence.&#xA;&#xA;&#34;Go ahead,&#34; the wub said. &#34;It doesn&#39;t matter.&#34;&#xA;&#xA;Peterson stood up. &#34;What for?&#34;&#xA;&#xA;&#34;It&#39;s an order.&#34;&#xA;&#xA;Peterson walked to the door. French caught his arm.&#xA;&#xA;&#34;What&#39;s going on?&#34; Peterson wrenched loose. &#34;What&#39;s the matter with you?&#34;&#xA;&#xA;Captain Franco moved toward the wub. The wub looked up from where it lay in the corner, pressed against the wall.&#xA;&#xA;&#34;It is interesting,&#34; the wub said, &#34;that you are obsessed with the idea of eating me. I wonder why.&#34;&#xA;&#xA;&#34;Get up,&#34; Franco said.&#xA;&#xA;&#34;If you wish.&#34; The wub rose, grunting. &#34;Be patient. It is difficult for me.&#34; It stood, gasping, its tongue lolling foolishly.&#xA;&#xA;&#34;Shoot it now,&#34; French said.&#xA;&#xA;&#34;For God&#39;s sake!&#34; Peterson exclaimed. Jones turned to him quickly, his eyes gray with fear.&#xA;&#xA;&#34;You didn&#39;t see him—like a statue, standing there, his mouth open. If we hadn&#39;t come down, he&#39;d still be there.&#34;&#xA;&#xA;&#34;Who? The Captain?&#34; Peterson stared around. &#34;But he&#39;s all right now.&#34;&#xA;&#xA;They looked at the wub, standing in the middle of the room, its great chest rising and falling.&#xA;&#xA;&#34;Come on,&#34; Franco said. &#34;Out of the way.&#34;&#xA;&#xA;The men pulled aside toward the door.&#xA;&#xA;&#34;You are quite afraid, aren&#39;t you?&#34; the wub said. &#34;Have I done anything to you? I am against the idea of hurting. All I have done is try to protect myself. Can you expect me to rush eagerly to my death? I am a sensible being like yourselves. I was curious to see your ship, learn about you. I suggested to the native—&#34;&#xA;&#xA;The gun jerked.&#xA;&#xA;&#34;See,&#34; Franco said. &#34;I thought so.&#34;&#xA;&#xA;The wub settled down, panting. It put its paw out, pulling its tail around it.&#xA;&#xA;&#34;It is very warm,&#34; the wub said. &#34;I understand that we are close to the jets. Atomic power. You have done many wonderful things with it—technically. Apparently, your scientific hierarchy is not equipped to solve moral, ethical—&#34;&#xA;&#xA;Franco turned to the men, crowding behind him, wide-eyed, silent.&#xA;&#xA;&#34;I&#39;ll do it. You can watch.&#34;&#xA;&#xA;French nodded. &#34;Try to hit the brain. It&#39;s no good for eating. Don&#39;t hit the chest. If the rib cage shatters, we&#39;ll have to pick bones out.&#34;&#xA;&#xA;&#34;Listen,&#34; Peterson said, licking his lips. &#34;Has it done anything? What harm has it done? I&#39;m asking you. And anyhow, it&#39;s still mine. You have no right to shoot it. It doesn&#39;t belong to you.&#34;&#xA;&#xA;Franco raised his gun.&#xA;&#xA;&#34;I&#39;m going out,&#34; Jones said, his face white and sick. &#34;I don&#39;t want to see it.&#34;&#xA;&#xA;&#34;Me, too,&#34; French said. The men straggled out, murmuring. Peterson lingered at the door.&#xA;&#xA;&#34;It was talking to me about myths,&#34; he said. &#34;It wouldn&#39;t hurt anyone.&#34;&#xA;&#xA;He went outside.&#xA;&#xA;Franco walked toward the wub. The wub looked up slowly. It swallowed.&#xA;&#xA;&#34;A very foolish thing,&#34; it said. &#34;I am sorry that you want to do it. There was a parable that your Saviour related—&#34;&#xA;&#xA;It stopped, staring at the gun.&#xA;&#xA;&#34;Can you look me in the eye and do it?&#34; the wub said. &#34;Can you do that?&#34;&#xA;&#xA;The Captain gazed down. &#34;I can look you in the eye,&#34; he said. &#34;Back on the farm we had hogs, dirty razor-back hogs. I can do it.&#34;&#xA;&#xA;Staring down at the wub, into the gleaming, moist eyes, he pressed the trigger.&#xA;&#xA;----&#xA;&#xA;The taste was excellent.&#xA;&#xA;They sat glumly around the table, some of them hardly eating at all. The only one who seemed to be enjoying himself was Captain Franco.&#xA;&#xA;&#34;More?&#34; he said, looking around. &#34;More? And some wine, perhaps.&#34;&#xA;&#xA;&#34;Not me,&#34; French said. &#34;I think I&#39;ll go back to the chart room.&#34;&#xA;&#xA;&#34;Me, too.&#34; Jones stood up, pushing his chair back. &#34;I&#39;ll see you later.&#34;&#xA;&#xA;The Captain watched them go. Some of the others excused themselves.&#xA;&#xA;&#34;What do you suppose the matter is?&#34; the Captain said. He turned to Peterson. Peterson sat staring down at his plate, at the potatoes, the green peas, and at the thick slab of tender, warm meat.&#xA;&#xA;He opened his mouth. No sound came.&#xA;&#xA;The Captain put his hand on Peterson&#39;s shoulder.&#xA;&#xA;&#34;It is only organic matter, now,&#34; he said. &#34;The life essence is gone.&#34; He ate, spooning up the gravy with some bread. &#34;I, myself, love to eat. It is one of the greatest things that a living creature can enjoy. Eating, resting, meditation, discussing things.&#34;&#xA;&#xA;Peterson nodded. Two more men got up and went out. The Captain drank some water and sighed.&#xA;&#xA;&#34;Well,&#34; he said. &#34;I must say that this was a very enjoyable meal. All the reports I had heard were quite true—the taste of wub. Very fine. But I was prevented from enjoying this pleasure in times past.&#34;&#xA;&#xA;He dabbed at his lips with his napkin and leaned back in his chair. Peterson stared dejectedly at the table.&#xA;&#xA;The Captain watched him intently. He leaned over.&#xA;&#xA;&#34;Come, come,&#34; he said. &#34;Cheer up! Let&#39;s discuss things.&#34;&#xA;&#xA;He smiled.&#xA;&#xA;&#34;As I was saying before I was interrupted, the role of Odysseus in the myths—&#34;&#xA;&#xA;Peterson jerked up, staring.&#xA;&#xA;&#34;To go on,&#34; the Captain said. &#34;Odysseus, as I understand him—&#34;&#xA;&#xA;PKDick&#xA;]]&gt;</description>
      <content:encoded><![CDATA[<p><img src="https://i.snap.as/4qTLWmv.png" alt="Three men standing, a strange creature in the middle"/></p>

<blockquote><p>The slovenly wub might well have said: Many men talk like philosophers and live like fools.

They had almost finished with the loading. Outside stood the Optus, his arms folded, his face sunk in gloom. Captain Franco walked leisurely down the gangplank, grinning.</p></blockquote>

<p>“What&#39;s the matter?” he said. “You&#39;re getting paid for all this.”</p>

<p>The Optus said nothing. He turned away, collecting his robes. The Captain put his boot on the hem of the robe.</p>

<p>“Just a minute. Don&#39;t go off. I&#39;m not finished.”</p>

<p>“Oh?” The Optus turned with dignity. “I am going back to the village.” He looked toward the animals and birds being driven up the gangplank into the spaceship. “I must organize new hunts.”</p>

<p>Franco lit a cigarette. “Why not? You people can go out into the veldt and track it all down again. But when we run out halfway between Mars and Earth—”</p>

<p>The Optus went off, wordless. Franco joined the first mate at the bottom of the gangplank.</p>

<p>“How&#39;s it coming?” he said. He looked at his watch. “We got a good bargain here.”</p>

<p>The mate glanced at him sourly. “How do you explain that?”</p>

<p>“What&#39;s the matter with you? We need it more than they do.”</p>

<p>“I&#39;ll see you later, Captain.” The mate threaded his way up the plank, between the long-legged Martian go-birds, into the ship. Franco watched him disappear. He was just starting up after him, up the plank toward the port, when he saw it.</p>

<p>“My God!” He stood staring, his hands on his hips. Peterson was walking along the path, his face red, leading it by a string.</p>

<p>“I&#39;m sorry, Captain,” he said, tugging at the string. Franco walked toward him.</p>

<p>“What is it?”</p>

<p>The wub stood sagging, its great body settling slowly. It was sitting down, its eyes half shut. A few flies buzzed about its flank, and it switched its tail.</p>

<p>It sat. There was silence.</p>

<p>“It&#39;s a wub,” Peterson said. “I got it from a native for fifty cents. He said it was a very unusual animal. Very respected.”</p>

<p>“This?” Franco poked the great sloping side of the wub. “It&#39;s a pig! A huge dirty pig!”</p>

<p>“Yes sir, it&#39;s a pig. The natives call it a wub.”</p>

<p>“A huge pig. It must weigh four hundred pounds.” Franco grabbed a tuft of the rough hair. The wub gasped. Its eyes opened, small and moist. Then its great mouth twitched.</p>

<p>A tear rolled down the wub&#39;s cheek and splashed on the floor.</p>

<p>“Maybe it&#39;s good to eat,” Peterson said nervously.</p>

<p>“We&#39;ll soon find out,” Franco said.
</p>

<hr/>

<p>The wub survived the take-off, sound asleep in the hold of the ship. When they were out in space and everything was running smoothly, Captain Franco bade his men fetch the wub upstairs so that he might perceive what manner of beast it was.</p>

<p>The wub grunted and wheezed, squeezing up the passageway.</p>

<p>“Come on,” Jones grated, pulling at the rope. The wub twisted, rubbing its skin off on the smooth chrome walls. It burst into the ante-room, tumbling down in a heap. The men leaped up.</p>

<p>“Good Lord,” French said. “What is it?”</p>

<p>“Peterson says it&#39;s a wub,” Jones said. “It belongs to him.” He kicked at the wub. The wub stood up unsteadily, panting.</p>

<p>“What&#39;s the matter with it?” French came over. “Is it going to be sick?”</p>

<p>They watched. The wub rolled its eyes mournfully. It gazed around at the men.</p>

<p>“I think it&#39;s thirsty,” Peterson said. He went to get some water. French shook his head.</p>

<p>“No wonder we had so much trouble taking off. I had to reset all my ballast calculations.”</p>

<p>Peterson came back with the water. The wub began to lap gratefully, splashing the men.</p>

<p>Captain Franco appeared at the door.</p>

<p>“Let&#39;s have a look at it.” He advanced, squinting critically. “You got this for fifty cents?”</p>

<p>“Yes, sir,” Peterson said. “It eats almost anything. I fed it on grain and it liked that. And then potatoes, and mash, and scraps from the table, and milk. It seems to enjoy eating. After it eats it lies down and goes to sleep.”</p>

<p>“I see,” Captain Franco said. “Now, as to its taste. That&#39;s the real question. I doubt if there&#39;s much point in fattening it up any more. It seems fat enough to me already. Where&#39;s the cook? I want him here. I want to find out—”</p>

<p>The wub stopped lapping and looked up at the Captain.</p>

<p>“Really, Captain,” the wub said. “I suggest we talk of other matters.”</p>

<p>The room was silent.</p>

<p>“What was that?” Franco said. “Just now.”</p>

<p>“The wub, sir,” Peterson said. “It spoke.”</p>

<p>They all looked at the wub.</p>

<p>“What did it say? What did it say?”</p>

<p>“It suggested we talk about other things.”</p>

<p>Franco walked toward the wub. He went all around it, examining it from every side. Then he came back over and stood with the men.</p>

<p>“I wonder if there&#39;s a native inside it,” he said thoughtfully. “Maybe we should open it up and have a look.”</p>

<p>“Oh, goodness!” the wub cried. “Is that all you people can think of, killing and cutting?”</p>

<p>Franco clenched his fists. “Come out of there! Whoever you are, come out!”</p>

<p>Nothing stirred. The men stood together, their faces blank, staring at the wub. The wub swished its tail. It belched suddenly.</p>

<p>“I beg your pardon,” the wub said.</p>

<p>“I don&#39;t think there&#39;s anyone in there,” Jones said in a low voice. They all looked at each other.</p>

<p>The cook came in.</p>

<p>“You wanted me, Captain?” he said. “What&#39;s this thing?”</p>

<p>“This is a wub,” Franco said. “It&#39;s to be eaten. Will you measure it and figure out—”</p>

<p>“I think we should have a talk,” the wub said. “I&#39;d like to discuss this with you, Captain, if I might. I can see that you and I do not agree on some basic issues.”</p>

<p>The Captain took a long time to answer. The wub waited good-naturedly, licking the water from its jowls.</p>

<p>“Come into my office,” the Captain said at last. He turned and walked out of the room. The wub rose and padded after him. The men watched it go out. They heard it climbing the stairs.</p>

<p>“I wonder what the outcome will be,” the cook said. “Well, I&#39;ll be in the kitchen. Let me know as soon as you hear.”</p>

<p>“Sure,” Jones said. “Sure.”</p>

<hr/>

<p>The wub eased itself down in the corner with a sigh. “You must forgive me,” it said. “I&#39;m afraid I&#39;m addicted to various forms of relaxation. When one is as large as I—”</p>

<p>The Captain nodded impatiently. He sat down at his desk and folded his hands.</p>

<p>“All right,” he said. “Let&#39;s get started. You&#39;re a wub? Is that correct?”</p>

<p>The wub shrugged. “I suppose so. That&#39;s what they call us, the natives, I mean. We have our own term.”</p>

<p>“And you speak English? You&#39;ve been in contact with Earthmen before?”</p>

<p>“No.”</p>

<p>“Then how do you do it?”</p>

<p>“Speak English? Am I speaking English? I&#39;m not conscious of speaking anything in particular. I examined your mind—”</p>

<p>“My mind?”</p>

<p>“I studied the contents, especially the semantic warehouse, as I refer to it—”</p>

<p>“I see,” the Captain said. “Telepathy. Of course.”</p>

<p>“We are a very old race,” the wub said. “Very old and very ponderous. It is difficult for us to move around. You can appreciate that anything so slow and heavy would be at the mercy of more agile forms of life. There was no use in our relying on physical defenses. How could we win? Too heavy to run, too soft to fight, too good-natured to hunt for game—”</p>

<p>“How do you live?”</p>

<p>“Plants. Vegetables. We can eat almost anything. We&#39;re very catholic. Tolerant, eclectic, catholic. We live and let live. That&#39;s how we&#39;ve gotten along.”</p>

<p>The wub eyed the Captain.</p>

<p>“And that&#39;s why I so violently objected to this business about having me boiled. I could see the image in your mind—most of me in the frozen food locker, some of me in the kettle, a bit for your pet cat—”</p>

<p>“So you read minds?” the Captain said. “How interesting. Anything else? I mean, what else can you do along those lines?”</p>

<p>“A few odds and ends,” the wub said absently, staring around the room. “A nice apartment you have here, Captain. You keep it quite neat. I respect life-forms that are tidy. Some Martian birds are quite tidy. They throw things out of their nests and sweep them—”</p>

<p>“Indeed.” The Captain nodded. “But to get back to the problem—”</p>

<p>“Quite so. You spoke of dining on me. The taste, I am told, is good. A little fatty, but tender. But how can any lasting contact be established between your people and mine if you resort to such barbaric attitudes? Eat me? Rather you should discuss questions with me, philosophy, the arts—”</p>

<p>The Captain stood up. “Philosophy. It might interest you to know that we will be hard put to find something to eat for the next month. An unfortunate spoilage—”</p>

<p>“I know.” The wub nodded. “But wouldn&#39;t it be more in accord with your principles of democracy if we all drew straws, or something along that line? After all, democracy is to protect the minority from just such infringements. Now, if each of us casts one vote—”</p>

<p>The Captain walked to the door.</p>

<p>“Nuts to you,” he said. He opened the door. He opened his mouth.</p>

<p>He stood frozen, his mouth wide, his eyes staring, his fingers still on the knob.</p>

<p>The wub watched him. Presently it padded out of the room, edging past the Captain. It went down the hall, deep in meditation.</p>

<hr/>

<p>The room was quiet.</p>

<p>“So you see,” the wub said, “we have a common myth. Your mind contains many familiar myth symbols. Ishtar, Odysseus—”</p>

<p>Peterson sat silently, staring at the floor. He shifted in his chair.</p>

<p>“Go on,” he said. “Please go on.”</p>

<p>“I find in your Odysseus a figure common to the mythology of most self-conscious races. As I interpret it, Odysseus wanders as an individual, aware of himself as such. This is the idea of separation, of separation from family and country. The process of individuation.”</p>

<p>“But Odysseus returns to his home.” Peterson looked out the port window, at the stars, endless stars, burning intently in the empty universe. “Finally he goes home.”</p>

<p>“As must all creatures. The moment of separation is a temporary period, a brief journey of the soul. It begins, it ends. The wanderer returns to land and race....”</p>

<p>The door opened. The wub stopped, turning its great head.</p>

<p>Captain Franco came into the room, the men behind him. They hesitated at the door.</p>

<p>“Are you all right?” French said.</p>

<p>“Do you mean me?” Peterson said, surprised. “Why me?”</p>

<p>Franco lowered his gun. “Come over here,” he said to Peterson. “Get up and come here.”</p>

<p>There was silence.</p>

<p>“Go ahead,” the wub said. “It doesn&#39;t matter.”</p>

<p>Peterson stood up. “What for?”</p>

<p>“It&#39;s an order.”</p>

<p>Peterson walked to the door. French caught his arm.</p>

<p>“What&#39;s going on?” Peterson wrenched loose. “What&#39;s the matter with you?”</p>

<p>Captain Franco moved toward the wub. The wub looked up from where it lay in the corner, pressed against the wall.</p>

<p>“It is interesting,” the wub said, “that you are obsessed with the idea of eating me. I wonder why.”</p>

<p>“Get up,” Franco said.</p>

<p>“If you wish.” The wub rose, grunting. “Be patient. It is difficult for me.” It stood, gasping, its tongue lolling foolishly.</p>

<p>“Shoot it now,” French said.</p>

<p>“For God&#39;s sake!” Peterson exclaimed. Jones turned to him quickly, his eyes gray with fear.</p>

<p>“You didn&#39;t see him—like a statue, standing there, his mouth open. If we hadn&#39;t come down, he&#39;d still be there.”</p>

<p>“Who? The Captain?” Peterson stared around. “But he&#39;s all right now.”</p>

<p>They looked at the wub, standing in the middle of the room, its great chest rising and falling.</p>

<p>“Come on,” Franco said. “Out of the way.”</p>

<p>The men pulled aside toward the door.</p>

<p>“You are quite afraid, aren&#39;t you?” the wub said. “Have I done anything to you? I am against the idea of hurting. All I have done is try to protect myself. Can you expect me to rush eagerly to my death? I am a sensible being like yourselves. I was curious to see your ship, learn about you. I suggested to the native—”</p>

<p>The gun jerked.</p>

<p>“See,” Franco said. “I thought so.”</p>

<p>The wub settled down, panting. It put its paw out, pulling its tail around it.</p>

<p>“It is very warm,” the wub said. “I understand that we are close to the jets. Atomic power. You have done many wonderful things with it—technically. Apparently, your scientific hierarchy is not equipped to solve moral, ethical—”</p>

<p>Franco turned to the men, crowding behind him, wide-eyed, silent.</p>

<p>“I&#39;ll do it. You can watch.”</p>

<p>French nodded. “Try to hit the brain. It&#39;s no good for eating. Don&#39;t hit the chest. If the rib cage shatters, we&#39;ll have to pick bones out.”</p>

<p>“Listen,” Peterson said, licking his lips. “Has it done anything? What harm has it done? I&#39;m asking you. And anyhow, it&#39;s still mine. You have no right to shoot it. It doesn&#39;t belong to you.”</p>

<p>Franco raised his gun.</p>

<p>“I&#39;m going out,” Jones said, his face white and sick. “I don&#39;t want to see it.”</p>

<p>“Me, too,” French said. The men straggled out, murmuring. Peterson lingered at the door.</p>

<p>“It was talking to me about myths,” he said. “It wouldn&#39;t hurt anyone.”</p>

<p>He went outside.</p>

<p>Franco walked toward the wub. The wub looked up slowly. It swallowed.</p>

<p>“A very foolish thing,” it said. “I am sorry that you want to do it. There was a parable that your Saviour related—”</p>

<p>It stopped, staring at the gun.</p>

<p>“Can you look me in the eye and do it?” the wub said. “Can you do that?”</p>

<p>The Captain gazed down. “I can look you in the eye,” he said. “Back on the farm we had hogs, dirty razor-back hogs. I can do it.”</p>

<p>Staring down at the wub, into the gleaming, moist eyes, he pressed the trigger.</p>

<hr/>

<p>The taste was excellent.</p>

<p>They sat glumly around the table, some of them hardly eating at all. The only one who seemed to be enjoying himself was Captain Franco.</p>

<p>“More?” he said, looking around. “More? And some wine, perhaps.”</p>

<p>“Not me,” French said. “I think I&#39;ll go back to the chart room.”</p>

<p>“Me, too.” Jones stood up, pushing his chair back. “I&#39;ll see you later.”</p>

<p>The Captain watched them go. Some of the others excused themselves.</p>

<p>“What do you suppose the matter is?” the Captain said. He turned to Peterson. Peterson sat staring down at his plate, at the potatoes, the green peas, and at the thick slab of tender, warm meat.</p>

<p>He opened his mouth. No sound came.</p>

<p>The Captain put his hand on Peterson&#39;s shoulder.</p>

<p>“It is only organic matter, now,” he said. “The life essence is gone.” He ate, spooning up the gravy with some bread. “I, myself, love to eat. It is one of the greatest things that a living creature can enjoy. Eating, resting, meditation, discussing things.”</p>

<p>Peterson nodded. Two more men got up and went out. The Captain drank some water and sighed.</p>

<p>“Well,” he said. “I must say that this was a very enjoyable meal. All the reports I had heard were quite true—the taste of wub. Very fine. But I was prevented from enjoying this pleasure in times past.”</p>

<p>He dabbed at his lips with his napkin and leaned back in his chair. Peterson stared dejectedly at the table.</p>

<p>The Captain watched him intently. He leaned over.</p>

<p>“Come, come,” he said. “Cheer up! Let&#39;s discuss things.”</p>

<p>He smiled.</p>

<p>“As I was saying before I was interrupted, the role of Odysseus in the myths—”</p>

<p>Peterson jerked up, staring.</p>

<p>“To go on,” the Captain said. “Odysseus, as I understand him—”</p>

<p><a href="https://sfss.space/tag:PKDick" class="hashtag"><span>#</span><span class="p-category">PKDick</span></a></p>
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      <guid>https://sfss.space/beyond-lies-the-wub-1952-philip-k</guid>
      <pubDate>Fri, 13 Sep 2019 10:34:19 +0000</pubDate>
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